Discovering a Nervous Condition—an essay by Pwaangulongii Dauod on the geometry of darkness
The JRB presents new narrative non-fiction by Pwaangulongii Dauod. In December of 2014, barely one week after the department reluctantly…
Category: Essays
[City Editor] Finding out you’re big in Myanmar—and a caution on the potential effects of South Africa’s Copyright Amendment Bill
City Editor Niq Mhlongo finds a cautionary tale in an interaction with one of his (heretofore unknown) international publishers. In…
‘Baldwin the symbol of black transgression and global black anger is simply peerless’—Bongani Madondo on If Beale Street Could Talk, the book and Oscar-winning film
James Baldwin’s novel of half a century ago, If Beale Street Could Talk, now reissued by Penguin Random House, was…
The novel as a series of moments of potentiality—Wemar Strydom on ‘Translate Yourself’, Eben Venter’s first exhibition of visual work
Eben Venter presented the world debut of his first visual exhibition, ‘Translate Yourself’, at the February Lectures conference at the…
[Conversation Issue] ‘Intersectionality seems so blindingly obvious a notion’—Zoë Wicomb in conversation with Andrew van der Vlies, from their new book Race, Nation, Translation
As part of our January Conversation Issue, we present an excerpted interview from a new collection of Zoë Wicomb’s writing, Race,…
[Conversation Issue] Letter to a Young Queer Intellectual by Amatesiro Dore
As part of our January Conversation Issue, read Amatesiro Dore’s Letter to a Young Queer Intellectual. How far, I’ve been…
[The JRB Daily] [World Aids Day] Two Koos Prinsloo short stories translated into English for the first time—among the first fictional texts about HIV/Aids in South Africa
In The JRB’s forthcoming Fiction Issue, we will feature two short stories by Koos Prinsloo, published for the first time…
[The JRB Daily] Panashe Chigumadzi wins 2018 Brittle Paper Award for Rights of Conquest, Rights of Desire, published in The JRB
The winners of the 2018 Brittle Paper Awards have been announced—including Panashe Chigumadzi, for her essay ‘History Through the Body or Rights…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
Read an excerpt from What Is Africa to Me? by Guadeloupean author Maryse Condé, winner of the ‘alternative Nobel’ literature prize
A giant of black feminist writing and thought, Maryse Condé was recently awarded the New Academy Prize in Literature, a…
A seminal catalyst of African speculative fiction—Thando Njovane shares three thoughts on Nnedi Okorafor’s Who Fears Death
Constructed around a feminist, though dystopian, future, Nnedi Okorafor’s novel Who Fears Death—now reissued some eight years after its first…
Where’s Mzansi noir?—Wamuwi Mbao laments the lack of dark and moody South African television adaptations
Wamuwi Mbao imagines a serial adaptation of Angela Makholwa’s Black Widow Society, a sleekly executed interpretation of HJ Golakai’s The Lazarus…
‘Afrofuturism is not for Africans living in Africa’—an essay by Mohale Mashigo, excerpted from her new collection of short stories, Intruders
The JRB presents ‘Afrofuturism: Ayashis’ Amateki’, an essay by Mohale Mashigo, which serves as the preface to her new collection…
Books and belonging—Fred Khumalo reflects on how James Hadley Chase and Alan Paton changed his life
Fred Khumalo recalls being swept off his feet by Alan Paton, the African Writers Series and James Hadley Chase. It’s a question…
‘An imaginative understanding of the next person’—Prof Muxe Nkondo considers Can Themba’s significance in South Africa’s world of differences
At a recent Johannesburg symposium on the life of literary icon Can Themba, organised by author Siphiwo Mahala as a…
How to eat a small child–Yemisi Aribisala considers the question of representation in books for children of colour and the legacy of Little Black Sambo
Yemisi Aribisala recalls her first encounter with Little Black Sambo, and asks: Who is responsible if the image of the…
Bucking against the inevitability of her martyrdom—The Negressity of Black womenhood and The Ones With Purpose
Mbali Sikakana considers Nozizwe Cynthia Jele’s new novel The Ones With Purpose in the context of Hilton Als’s groundbreaking 1996…
[The JRB Daily] Pwaangulongii Dauod wins 2018 Gerald Kraak Award for his essay ‘Africa’s future has no space for stupid black men’
Pwaangulongii Dauod has won the R25 000 Gerald Kraak Award, which honours African writing and photography that ‘provokes thought on the…
Banishing the white gaze—Ntombizikhona Valela reflects on Winnie Madikizela-Mandela’s literary legacy
Ntombizikhona Valela considers two very different books, Winnie Madikizela-Mandela’s 491 Days: Prisoner Number 1323/69 and Anne Marie du Preez Bezdrob’s…
Historical fiction is back—with a fire in its belly: Fred Khumalo reflects on how writing can be a powerful tool for an activist
Fred Khumalo, whose most recent novel is Dancing the Death Drill, believes past narratives can help shape what is to…
Essays that edge towards poetry: Jennifer Malec reviews Zadie Smith’s new collection of non-fiction, Feel Free
Zadie Smith’s new collection of essays, Feel Free, is a too-rare pleasure, writes The JRB Editor Jennifer Malec. Not many…
[The JRB Daily] ‘None But Ourselves’—Percy Zvomuya charts the sonic cartography of a revolution in the new Chimurenga Chronic: ‘The Invention of Zimbabwe’
Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…
‘English’s tendency to obliterate other languages does not apply here’—Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu
Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu, which was recently awarded a prestigious Windham-Campbell Prize for Fiction. Kintu Jennifer…
‘Spending time with Bra Willie is the closest thing to being in touch with the soul of this country’: Read Mandla Langa’s Introduction to Keorapetse Kgositsile’s Homesoil in My Blood
Homesoil in My Blood: A Trilogy Keorapetse Kgositsile Xarra Books, 2018 Exclusive to The JRB, we present author Mandla Langa’s…
The PEN International Women’s Manifesto: ‘The act of silencing a person is to deny their existence. It is a kind of death’
Margie Orford, President Emerita of PEN South Africa and board member of PEN International, on the PEN International Women’s Manifesto,…
Exquisite, but a reminder that there will never be another Baldwin: TO Molefe appraises I Am Not Your Negro, a year after its release
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…
JM Coetzee is tired: Wamuwi Mbao reports from the ‘Photographs from Boyhood’ exhibition in Cape Town
An exhibition of JM Coetzee’s newly discovered childhood photography was recently held in Cape Town. Wamuwi Mbao was there. With…
Diane Awerbuck mostly does not review Stephen and Owen King’s Sleeping Beauties, but mostly remembers her mother, horror fan supreme
Second-wave feminism, mansplained: Diane Awerbuck finds much to disappoint in Stephen and Owen King’s Sleeping Beauties. Sleeping Beauties Stephen King…
Ta-Nehisi Coates is not the voice of black people: Kibo Ngowi considers the cult of intersectionality
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
[Conversation Issue] Kanga and Khwezi: Kwezilomso Mbandazayo challenges the memorialisation of Fezekile Ntsukela Kuzwayo
Kwezilomso Mbandazayo, known as the womxn who loaned her name to Khwezi, Jacob Zuma’s rape accuser, offers a personal reflection…
[The JRB Daily] The Johannesburg Review of Books’s Book of the Year
The JRB’s Editor takes a look back at 2017 and picks out the single work that left the biggest impression….
The Visiting Hours: A dispatch from Harare by Tonderai Munyevu
The author visited Harare, Zimbabwe shortly after the military intervention that led to President Robert Mugabe’s resignation on 21 November,…
Letter: Sarah Ruden responds to David van Schoor’s review of her translation of Augustine’s Confessions
Sarah Ruden responds to David van Schoor’s review of her translation of Augustine’s Confessions, ‘Translation as nuclear arms race’, published in the November…
[The JRB Daily] The Caine Prize wasn’t what I thought it would be: Efemia Chela traces the real value of big literary prizes
In a piece for the Caine Prize blog titled ‘An Unexpected Prize’, Efemia Chela describes how losing out on the…
[The JRB Daily] He seemed invincible: Petina Gappah reflects on Robert Mugabe’s rule
Writing for the New Yorker, The JRB Editorial Advisory Panel member Petina Gappah contemplates ‘How Zimbabwe Freed Itself From Robert Mugabe’. Mugabe’s resignation…
[The JRB Daily] Dove, Lifebuoy and apartheid: Panashe Chigumadzi considers soap’s hidden significance in the control of black bodies
The New York Review of Books has featured an article by Panashe Chigumadzi, titled ‘Soap and South Africa’s “Fatal Intimacy”‘….
‘Speaking Shona was associated with humiliation’: Petina Gappah on the influence, on her writing, of Ngũgĩ wa Thiong’o’s Decolonising the Mind
Exclusive to The JRB, a new essay by Petina Gappah on the influence of Ngũgĩ wa Thiong’o’s work on her…
Fear and loathing in Bordeaux: Race and the French myth in Marie NDiaye’s My Heart Hemmed In
Efemia Chela reviews Marie NDiaye’s newly translated masterpiece My Heart Hemmed In, a mixture of literary fiction, psychological thriller and…
[City Editor] Niq Mhlongo visits the PaGya! Literary Festival, finding a very different Ghana from the one he remembers
Niq Mhlongo recounts his literary travels to Accra, Ghana—in 2008, for the Pan-African Literary Forum, and in 2017 for the…
Two vast countries of weird violence: Olivia Rose Walton contemplates Turkey and South Africa by train
Olivia Rose Walton considers loss and erasure across two landscapes, traversed by train. 1. Kayseri station, Turkey On the steps…