‘An excellent example of the reviewer’s least favourite thing’—Wamuwi Mbao reviews Yellowface by Rebecca F Kuang
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
Category: Reviews
‘Few novels preoccupy me; Decima inhabits me’—Michael Titlestad reviews Eben Venter’s ‘singular and significant’ new novel
Eben Venter’s Decima is a novel in which morality is shown to be an intricately woven fabric of contesting needs…
‘An intsomi, a fable of biblical and mythological proportions’—Mphuthumi Ntabeni reviews Eye Brother Horn by Bridget Pitt
Eye Brother Horn by Bridget Pitt is a South African novel immersed in our oral culture and traditions, writes Mphuthumi…
A novel of many dark nights and unrelenting mishaps—Shayera Dark reviews Bisi Adjapon’s Daughter in Exile
Daughter in Exile by Bisi Adjapon is a pacy, character-driven novel that surveys the many burdens of living as an…
A decolonisation that dare not speak its name—George Hull reviews Olúfẹ́mi Táíwò’s Against Decolonisation: Taking African Agency Seriously
George Hull reviews Against Decolonisation: Taking African Agency Seriously by Olúfẹ́mi Táíwò. Against Decolonisation: Taking African Agency SeriouslyOlúfẹ́mi TáíwòHurst &…
‘A superb macaron of darkly satirical fiction’—Wamuwi Mbao reviews Helen DeWitt’s new novella The English Understand Wool
Wamuwi Mbao reviews The English Understand Wool by Helen DeWitt, a book that contains ‘one of the most alarmingly enjoyable…
‘How does one truly listen, as a writer, in South Africa? How does one write?’ Kyle Allan reviews Kelwyn Sole’s latest collection of poetry Skin Rafts
Kyle Allan reviews Skin Rafts by Kelwyn Sole, a collection of poems that wrestle with a world that is connected…
‘Death walks everywhere with people’—Siphokazi Magadla reviews Mxolisi Mchunu’s Violence and Solace: The Natal Civil War in Late-Apartheid South Africa
Siphokazi Magadla reviews Violence and Solace: The Natal Civil War in Late-Apartheid South Africa by Mxolisi R Mchunu, a book…
‘Where else is history but in the stories people tell?’ Wamuwi Mbao reviews The Inheritors by Eve Fairbanks
The Inheritors by Eve Fairbanks is historical storytelling done well, writes Wamuwi Mbao. The InheritorsEve FairbanksJonathan Ball Publishers, 2023 David…
Portrait of the poet as a genius—Sindi-Leigh McBride reviews Koleka Putuma’s Hullo, Bu-bye, Koko, Come In
Sindi-Leigh McBride reviews Koleka Putuma’s Hullo, Bu-bye, Koko, Come In, a joy to behold even when the subject is devastating….
A book about embrace, but also about the chokehold of segregation—Carina Venter reviews Mr Entertainment: The Story of Taliep Petersen by Paula Fourie
Carina Venter reviews Paula Fourie’s Mr Entertainment: The Story of Taliep Petersen, finding a life that encompasses a country and…
‘Hope is a potent drug’—Jerry Chiemeke reviews Sylva Nze Ifedigbo’s Chinua Achebe Prize-winning novel Believers and Hustlers
Believers and Hustlers by Sylva Nze Ifedigbo, winner of the Chinua Achebe Prize for Literature, explores the sinister underbelly of…
One part magical realism, one part crime thriller, one part romance, rendered entirely in patois—Shayera Dark reviews Ayanna Lloyd Banwo’s When We Were Birds
Ayanna Lloyd Banwo’s debut novel When We Were Birds makes compelling work of how a world in which the living…
‘It is heartening to read introspective characters who don’t believe everything they think is interesting’—Wamuwi Mbao reviews Elif Batuman’s new novel Either/Or
Elif Batuman’s Either/Or is a new and worthy entry into the well-populated gallery of erudite books about people learning how…
‘Unapologetic, evocative and darkly humorous’—Dimakatso Sedite reviews Bury Me Naked, the debut collection of poetry from Teamhw SbonguJesu
Teamhw SbonguJesu’s debut collection of poetry, Bury Me Naked, delivers a conscientious, humorous, much-needed lesson in a poetics of voice…
Every time a black woman writes their story they are resisting marginalisation—Athambile Masola reviews Barbara Masekela’s memoir Poli Poli
Poli Poli by Barbara Masekela is a memoir that exemplifies the paradox of the ordinary and the spectacle in black…
Those who haunt inner city Johannesburg have their own ways of being—Wamuwi Mbao reviews The Blinded City by Matthew Wilhelm-Solomon
The Blinded City by Matthew Wilhelm-Solomon is a lucidly fascinating immersion into the world of the people who occupy the…
‘An important collective political work’—Fungai Machirori reviews The Sex Lives of African Women by Nana Darkoa Sekyiamah
Nana Darkoa Sekyiamah’s The Sex Lives of African Women is an important addition to writing that resists the fetishisation of…
Interrogating the tensions and contradictions around questions of identity—Shayera Dark reviews If an Egyptian Cannot Speak English by Noor Naga
Shayera Dark reviews Noor Naga’s experimental debut novel If an Egyptian Cannot Speak English, winner of the Graywolf Press Africa…
Kei Miller ‘alchemises the personal experience of Blackness into something deeply transportive’—Wamuwi Mbao reviews the award-winning Things I Have Withheld
Kei Miller’s collection of essays Things I Have Withheld takes the measure of what it means to read and be…
‘Your story told by someone else might in the end be richer’—Wamuwi Mbao reviews Culture and Liberation, the first dedicated collection of Alex La Guma’s exile writing
Culture and Liberation: Exile Writings, 1966–1985Alex La GumaEdited by Christopher J LeeSeagull Books 1966 was an interesting year. Future Trump…
‘Recitatif is cunning in its ability to expose us’—Masiyaleti Mbewe reflects on Toni Morrison’s only short story
To respect this text is to revisit it: Masiyaleti Mbewe reviews the new standalone edition of Toni Morrison’s Recitatif. RecitatifToni…
‘Time moves as slowly as it likes and then faster than you can make sense of’—Wairimũ Murĩithi reviews Okwiri Oduor’s debut novel, Things They Lost
Entering a world the author has long been building, Wairimũ Murĩithi reviews Things They Lost, the debut novel from 2014…
Tales from Mombasa—Carey Baraka speaks to Khadija Abdalla Bajaber about her award-winning debut novel, The House of Rust
Carey Baraka reviews The House of Rust, the latest tale from Mombasa, land of fables, and chats to its author,…
‘Thank goodness, this book offers no lessons and neither soothes nor comforts’—Michael Gardiner reviews Jane Fox’s Letters to Lionel
Michael Gardiner reviews Letters to Lionel, a series of letters written to the late poet, novelist and teacher Lionel Abrahams…
‘No reprieve from the myriad invisible cuts inflicted by a society hostile to the colour of their skin’—Shayera Dark reviews Lọlá Ákínmádé Åkerström’s In Every Mirror She’s Black
Shayera Dark reviews In Every Mirror She’s Black by Lọlá Ákínmádé Åkerström. In Every Mirror She’s BlackLọlá Ákínmádé ÅkerströmHead of Zeus,…
‘Startlingly good’—Wamuwi Mbao reviews Misfits: A Personal Manifesto by Michaela Coel, creator and star of the hit TV show I May Destroy You
Michaela Coel’s Misfits blends an effervescent sense of social realism with a beguiling clarity, writes Wamuwi Mbao. Misfits: A Personal…
‘This is the voice of contemporary South African fiction’—Joanne Ruth Davis reviews Mphuthumi Ntabeni’s new novel The Wanderers
Mphuthumi Ntabeni’s The Wanderers is a novel that indicates a storyteller in love with the art of telling tales, writes…
Even for women brave enough to reclaim their lives, external forces stand ready to keep them confined—Shayera Dark reviews Ukamaka Olisakwe’s Ogadinma: Or, Everything Will Be All Right
Shayera Dark reviews Ogadinma: Or, Everything Will Be All Right by Ukamaka Olisakwe. Ogadinma: Or, Everything Will Be All RightUkamaka…
‘A compellingly affecting hero figure for the remaking of the human’—Wamuwi Mbao reviews Sorrowland, the new novel by Rivers Solomon
Rivers Solomon’s Sorrowland rearranges the furniture of the hardening genre of novels resolved to deal with North America’s history of…
‘To photograph Switzerland is to rephotograph it’—Sindi-Leigh McBride reviews Fernweh, Teju Cole’s latest photobook
Fernweh, Teju Cole’s latest photobook, feels like a palliative moment amid the uncertainty, loss and raw grief of the pandemic,…
‘Exploring the recesses of loss with elegance’—Thulani Angoma-Mzini contemplates the 2021 Caine Prize shortlist
Meron Hadero was recently awarded the 2021 AKO Caine Prize for African Writing, becoming the first Ethiopian author to claim…
Three bombs and a miracle—Simon van Schalkwyk reviews Klara and the Sun, the new novel by Kazuo Ishiguro
Kazuo Ishiguro’s Klara and the Sun contemplates the erasure of the imagined boundary between human authenticity and the artifice of…
Private prayer and public power—Athambile Masola reviews Mothers of the Nation: Manyano Women in South Africa by Lihle Ngcobozi
Lihle Ngcobozi’s Mothers of the Nation reveals the social complexity and political depth of the Manyano Women’s movement, writes Athambile…
A work of fiction that calls to us to rethink Palestine’s ‘normal’—Wamuwi Mbao reviews Against The Loveless World by Susan Abulhawa
Wamuwi Mbao reviews Susan Abulhawa’s Against The Loveless World, winner of the Palestine Book Award. Against The Loveless WorldSusan AbulhawaBloomsbury…
‘What does it do to you to be the subject of someone else’s imaginative impoverishment?’—Wamuwi Mbao reviews Claudia Rankine’s new book Just Us
Claudia Rankine’s Just Us is perhaps the most profound meditation on race and violence to emerge in the first two…
‘Aggressively, almost wantonly unreadable’—Richard Poplak reviews Jordan B Peterson’s new book Beyond Order: 12 More Rules For Life
While 12 Rules for Life was a snapshot of an intellectual moment, however paltry, Beyond Order is the literary equivalent…
Hiding in Plain Sight: Cold War Interventions into African Literature—Bhakti Shringarpure reviews Monica Popescu’s At Penpoint: African Literatures, Postcolonial Studies, and the Cold War
Monica Popescu’s At Penpoint: African Literatures, Postcolonial Studies, and the Cold War is a steadfast engagement with the cultural Cold…
To move about in an unkind world under the mark of racial blackness—Wamuwi Mbao reviews Scatterlings, the debut novel by Rešoketšwe Manenzhe
Wamuwi Mbao reviews Rešoketšwe Manenzhe’s novel Scatterlings, winner of the 2020 Dinaane Debut Fiction Award. ScatterlingsRešoketšwe ManenzheJacana Media, 2020 There…
African literature should be free to remain ‘a question to itself’—Lebohang Mojapelo reviews The Rise of the African Novel by Mukoma Wa Ngugi
In The Rise of the African Novel, Mukoma Wa Ngugi traces the way African literature has been a space to…