Biography & Memoir

Jia Tolentino is a moral voice for the secular world—Khanya Mtshali reviews Trick Mirror: Reflections on Self-Delusion, a collection of essays that explores how we survive our late-capitalist hellscape

In Trick Mirror: Reflections on Self-Delusion, Jia Tolentino presents her cosmopolitan obsessions with piercing insight and authority, writes Khanya Mtshali. Trick…

Africa

‘I will always love Africa, because from the minute I arrived it treated me like a white girl.’—Author Adam Smyer reflects on his visit to the Open Book Festival

The following is an edited excerpt from a work in progress by American author Adam Smyer, whose debut novel, Knucklehead,…

Africa

Bearing witness to unusual childhoods of privilege under oppression—Panashe Chigumadzi reviews Township Girls: The Cross-Over Generation

A significant first step in documenting the life writing of black Zimbabwean women—The JRB Contributing Editor Panashe Chigumadzi reviews Township Girls:…

Africa

[The JRB exclusive] ‘PS. Everybody calls me Binyavanga these days.’ Read Binyavanga Wainaina’s letter to his late mother, from the 2016 exhibition Inside: Artists and Writers in Reading Prison

In 2016, the late Binyavanga Wainaina contributed a piece of writing to a United Kingdom-based art project titled Inside: Artists and…

Academic

‘I didn’t seem to exist. It felt easier that way’—Es’kia Mphahlele. Read an excerpt from Like Family: Domestic Workers in South African History and Literature

The JRB presents an extract from Like Family: Domestic Workers in South African History and Literature, by Ena Jansen. Like…

Academic

‘A literary con’—Hedley Twidle rereads Familiarity is the Kingdom of the Lost by Dugmore Boetie, the joker in the pack of Sophiatown-era life writing

In this excerpt from his forthcoming book on non-fiction in South African literature, Experiments with Truth, Hedley Twidle revisits Dugmore…