Africa

[The JRB exclusive] ‘PS. Everybody calls me Binyavanga these days.’ Read Binyavanga Wainaina’s letter to his late mother, from the 2016 exhibition Inside: Artists and Writers in Reading Prison

In 2016, the late Binyavanga Wainaina contributed a piece of writing to a United Kingdom-based art project titled Inside: Artists and…

Academic

‘I didn’t seem to exist. It felt easier that way’—Es’kia Mphahlele. Read an excerpt from Like Family: Domestic Workers in South African History and Literature

The JRB presents an extract from Like Family: Domestic Workers in South African History and Literature, by Ena Jansen. Like…

Academic

‘A literary con’—Hedley Twidle rereads Familiarity is the Kingdom of the Lost by Dugmore Boetie, the joker in the pack of Sophiatown-era life writing

In this excerpt from his forthcoming book on non-fiction in South African literature, Experiments with Truth, Hedley Twidle revisits Dugmore…

Academic

[The JRB Daily] Commemorate Human Rights Day with an exclusive excerpt from Lie on Your Wounds: The Prison Correspondence of Robert Mangaliso Sobukwe

Header image: Book cover (left); and Sobukwe, inside the grounds of Orlando Police Station, awaiting arrest, on the morning of 21…

Biography & Memoir

Illuminating a mighty poet and a total artist—Rustum Kozain reviews Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution

The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…