Africa

[The JRB Daily] How is the Nobel Prize in Literature decided? The Nobel Committee reveals new, less ‘Eurocentric’ and ‘male-centred’ criteria

Every year, speculation abounds about which author will win the Nobel Prize in Literature. This year, the Nobel Committee have…

Biography & Memoir

Jia Tolentino is a moral voice for the secular world—Khanya Mtshali reviews Trick Mirror: Reflections on Self-Delusion, a collection of essays that explores how we survive our late-capitalist hellscape

In Trick Mirror: Reflections on Self-Delusion, Jia Tolentino presents her cosmopolitan obsessions with piercing insight and authority, writes Khanya Mtshali. Trick…

Africa

American Spy reimagines the American spy, bringing gender and race into the war room—Jennifer Malec reviews Lauren Wilkinson’s new Cold War thriller

The JRB Editor Jennifer Malec reviews Lauren Wilkinson’s debut novel American Spy, a thriller that exposes the human drama that plays out…

Africa

Southern Africa throws its hat into the millennial fiction ring—Mphuthumi Ntabeni reviews The Eternal Audience of One, the debut novel by Rwandan–Namibian author Rémy Ngamije

With prose that sparkles and pops, Rémy Ngamije’s The Eternal Audience of One is a millennial novel that intricately traces…

Africa

[Temporary Sojourner] Liberia, the original African escapist fantasy—Efemia Chela reviews Wayétu Moore’s sweeping and poetic debut novel She Would Be King

Fantastic Returns and Where to Find Them—The JRB Francophone and Contributing Editor Efemia Chela travels to Liberia with Wayétu Moore’s…