Wamuwi Mbao • Fifi Bat-hef • Nondwe Mpuma • Makhosazana Xaba • Percy Zvomuya • Anthony Chennells • Percy Mabandu • Musaemura Zimunya • Malika Lueen Ndlovu • Corinne A Kratz • Khadija Magardie • Kelwyn Sole • Simon van Schalkwyk • Thando Fuze • Lesego Rampolokeng • Aryan Kaganof • Diane Awerbuck • Faraaz Mahomed • stacy hardy • Michelle Kekana • Zakes Mda • Martha Evans • Brian Willan • Brown Maaba • Benjamin N Lawrance • Vusumuzi R Kumalo • Victor Dlamini • Tymon Smith
Welcome to the first issue of Volume 10 of The Johannesburg Review of Books!
We start with a word from me, the Publisher.
Yes, The JRB lives, rather against the odds. I know that for many a fresh issue from us in 2026 had been in doubt, and I apologise to all those for whom the constant delays have been a source of deep frustration.
The story behind our tardiness is fairly mundane, but also for another day. Now that the question of ‘to ship or not to ship’ is fully settled (unlike the numerous debts we owe and accounts we must attend to), it’s on to the main event, in the form of our 66th production.
Feast your mind:
Wamuwi Mbao reviews The Crying Bride & Other Hallucinations by Dominique Botha, and finds it Botha’s strongest book yet. Fifi Bat-hef reviews Nadia Davids’s Cape Fever, a slow-burning gothic tale in which a haunted house becomes the (Cape?) colony in miniature.
Percy Zvomuya visits his former teacher, the academic Anthony Chennells, in Harare, to talk about the Rhodesian novel, the writers Chennells taught—Dambudzo Marechera among them—and his friend Doris Lessing. Chennells passed away in July at the age of 88. Hamba kahle.
Nondwe Mpuma is in conversation with The JRB Patron Makhosazana Xaba about her debut collection Peach Country, the eleventh in Xaba’s series of long-form interviews focusing on contemporary poetry collections by Black women and non-binary poets.
Staying with Makhosazana Xaba, ten years after its publication she revisits Percy Mabandu’s Yakhal’inkomo: Portrait of a Jazz Classic, which cradles Winston Mankunku Ngozi’s 1968 masterpiece in its pages. She also talks to Mabandu about his book’s first decade, and what it means to write as a witness.
When the publisher of a new Brazilian edition of Dambudzo Marechera’s The House of Hunger needed help with the book’s Shona songs and local allusions, they sent their questions to Musaemura Zimunya. We present his answers, in Notes on Translating Marechera.
Turning to award-winners, we celebrate two recent books: read an excerpt from Griefseed, Malika Lueen Ndlovu’s collection of poems, essays and reflections on grief, which won the Main University of Johannesburg Prize for South African Writing in English this year. And dip into the winner of the 2026 Council for Museum Anthropology Book Award, Rhetorics of Value: Exhibition Design and Communication in Museums and Beyond, in which Corinne A Kratz explores how museums in South Africa and beyond have redesigned popular histories.
We’re delighted to present ‘Elbow’, a short story by Khadija Magardie, first published in Let’s Tell This Story Properly: An Anthology of the Commonwealth Short Story Prize.
In our poetry corner, we share previously unpublished work by Kelwyn Sole, ‘The Honourable Skin’. We also present excerpts from five collections: Zero Summer, the new collection by The JRB’s Academic Editor, Simon van Schalkwyk; Fluent in the Language of Burial, the debut collection by Thando Fuze, with recordings of the poet reading her work; When the Fires Go Down by Lesego Rampolokeng; We Who Are Not Dead Yet by Aryan Kaganof; and Diane Awerbuck’s new collection, Fishwife.
In our survey of new fiction, we present excerpts from Mother/Land, the novel by Faraaz Mahomed; An Archaeology of Holes, the short story collection by stacy hardy (read it alongside Rampolokeng’s poem ‘Holes’, dedicated to her); and The Fragile Mental Health of Strong Women, the debut novel by Michelle Kekana.
In non-fiction, we feature extracts from four new biographies: Chris Hani: A Life of Courage and Compassion by Zakes Mda; Lilian Ngoyi: A Life by Martha Evans; Isaiah Bud-M’belle: The Life of Isaiah Budlwana M’belle, 1870–1947 by Brian Willan and Brown Maaba; and Original Apartheid Hustler: The fiction and fabrications of Dugmore Boetie by Benjamin N Lawrance and Vusumuzi R Kumalo.
From our Photo Editor Victor Dlamini this month, a portrait of Aminata Sow Fall.
And while you’re reading, listen to ‘There’s no stopping Joziferatu’, a JRB Radio playlist compiled by Tymon Smith.
Here’s the complete breakdown of Vol. 10, Issue 1, which you will also find on our issue archive page:
Reviews
- ‘Botha’s strongest book yet’—Wamuwi Mbao reviews Dominique Botha’s The Crying Bride & Other Hallucinations
- ‘The haunted house becomes the colony in miniature’—Fifi Bat-hef reviews Nadia Davids’s Cape Fever
Interviews
- ‘All poems live and die by having a rhythm’—Nondwe Mpuma in conversation with Makhosazana Xaba
- ‘I remember him as an enthusiastic student, with a terrible stutter’—Percy Zvomuya conducts a final interview with Anthony Chennells (1937—2026, RIP) on Marechera, Mungoshi, Lessing and more
- ‘Mankunku was in no way copying Coltrane. He was inheriting the tradition’—Percy Mabandu talks to Makhosazana Xaba about Yakhal’inkomo: Portrait of a Jazz Classic, ten years later
Essays
- ‘A revisitation-cum-commemoration’—Makhosazana Xaba on ten years of Percy Mabandu’s Yakhal’inkomo: Portrait of a Jazz Classic
- Notes on Translating Marechera—Musaemura Zimunya explains the Shona songs and allusions in The House of Hunger for a new Brazilian edition
Award-winners
- ‘Grief is fertile soil’—Read an excerpt from Malika Lueen Ndlovu’s UJ Prize-winning Griefseed
- ‘Race and history are essential twins’—Read an excerpt from Corinne A. Kratz’s Council for Museum Anthropology Book Award-winning Rhetorics of Value
Short fiction
Poetry
- New Poetry by Kelwyn Sole: ‘The Honourable Skin’
- Poetry by Simon van Schalkwyk, from Zero Summer
- Poetry (and sound) by Thando Fuze, from Fluent in the Language of Burial
- Poetry by Lesego Rampolokeng, from When the Fires Go Down
- Poetry by Aryan Kaganof, from We Who Are Not Dead Yet
- New Poetry by Diane Awerbuck, from her collection Fishwife
Photography
Music
Fiction excerpts
- ‘Its redness diluted the way a moment dilutes into an age’—Read an excerpt from Faraaz Mahomed’s new novel, Mother/Land
- ‘Nobody blinks twice at a woman digging a hole’—Read an excerpt from An Archaeology of Holes, the new collection by stacy hardy
- ‘When new parenthood is stormy, it is only mothers who get wet’—Read an excerpt from Michelle Kekana’s debut novel, The Fragile Mental Health of Strong Women
Non-fiction
- ‘He surprised them when he didn’t immediately take the Tambo–Huddleston–Gwangwa position [on Graceland]’—Read an excerpt from Zakes Mda’s new biography of Chris Hani
- ‘As soon as he saw me, I was the one for him’—Read an excerpt from Martha Evans’s new biography of Lilian Ngoyi
- ‘There are many other things for which he deserves to be remembered’—Read an excerpt from Brian Willan and Brown Maaba’s new biography, Isaiah Bud-M’belle: The Life of Isaiah Budlwana M’belle, 1870–1947
- ‘No one appears to have truly known him’—Read an excerpt from Original Apartheid Hustler: The fiction and fabrications of Dugmore Boetie by Benjamin N. Lawrance and Vusumuzi R. Kumalo





