Beware of angels and other executives of perfection: Wamuwi Mbao appraises JM Coetzee’s Late Essays
Like watching JM Coetzee solve a series of Rubik’s cubes, only more entertaining: Wamuwi Mbao reviews Late Essays: 2006–2017. Late Essays: 2006–2017…
Tag: Wamuwi Mbao
Disrupting the solipsism of the personal photograph: Wamuwi Mbao reviews Teju Cole’s new book, Blind Spot
How streaked we are by what we see: Teju Cole is at his engrossing best in his new book, Blind…
‘A writer utterly in control of her medium’: Wamuwi Mbao reviews Scaachi Koul’s glittering collection of essays, One Day We’ll All Be Dead and None of This Will Matter
In her debut collection of essays, One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul delivers…
The Johannesburg Review of Books Vol. 1, Issue 3 (July 2017)
The third issue of The Johannesburg Review of Books is here, with some big reviews, in-depth interviews and quality ruminations…
Eking out a deeper truth on the rough seas of historical fiction: Wamuwi Mbao reviews Fred Khumalo’s Dancing the Death Drill
Dancing the Death Drill Fred Khumalo Umuzi, 2017 The historical novel presents rough seas for a writer. Attaching a novel…
The Johannesburg Review of Books Vol. 1, Issue 2 (June 2017)
The second issue of The Johannesburg Review of Books is here—replete with some of the finest writing on books and…
Caught in the surreal postcolonial swirl: Wamuwi Mbao reviews Black Moses by Alain Mabanckou
Black Moses Alain Mabanckou Serpent’s Tail 2017 (Man Booker International Prize finalist) A young man visits a doctor in the…
The Johannesburg Review of Books Vol. 1, Issue 1 (May 2017)
We are delighted to present the first issue of The Johannesburg Review of Books—comprising almost twenty reviews, essays, articles, stories,…
All too exhilarating: Wamuwi Mbao reviews Naomi Alderman’s Baileys Prize-shortlisted sci-fi novel The Power
Update: Naomi Alderman has since been announced as the winner of the Baileys Women’s Prize for Fiction The Power Naomi…