[City Editor] Re-mapping the city by suicide—Lidudumalingani on the hidden brutality of the Johannesburg skyline
Re-mapping the city by suicide. Tiny dots of what is left when we die etched into the urban cartography. Souls…
Tag: Johannesburg
‘Miriam Tlali understood the complicated meanings of being “the first” for a black woman’—Read an excerpt from Pumla Dineo Gqola’s new book Miriam Tlali: Writing Freedom
The JRB presents an excerpt from Miriam Tlali: Writing Freedom, the latest book by Pumla Dineo Gqola, which brings together…
Johannesburg’s Place of Good Hope—Read an excerpt from Amakomiti: Grassroots Democracy in South African Shack Settlements by Trevor Ngwane
The JRB presents an excerpt from Trevor Ngwane’s forthcoming book Amakomiti: Grassroots Democracy in South African Shack Settlements. Amakomiti: Grassroots…
A Midwinter’s Musical Tale, compiled by Tymon Smith
The JRB presents tunes and accompanying editorial from our EAP member Tymon Smith. Natalie Portman and I are exactly the same age, born…
[City Editor] The people who stare at the city—Lidudumalingani recognises Joburg’s street vendors, our unacknowledged everyday archivists
The man at the bottom of Johannesburg Road in Highlands North, where Berkswell Road intersects it, punching it from the…
‘Calls for television grew louder in 1969, after the rest of the world got to see Neil Armstrong walk on the moon’—Read an excerpt from William Dicey’s new book 1986
The JRB presents an excerpt from 1986, the new book by William Dicey. 1986William DiceyPenguin Random House SA, 2021 ~~~…
[City Editor] ‘Who owns it, who visits it, who is it for?’ Lidudumalingani visits Joburg’s James Hall Museum of Transport
It’s an odd, even an imperfect location to build a museum—to build, many may argue, any kind of structure at…
[City Editor] A city caught between two moments—Lidudumalingani considers Johannesburg’s obvious and hidden histories
Almost every city has been built more than once. Each phase complete with its own architecture and infrastructure and, for…
‘Lines and images stick in the mind years after they have been heard or read’—Read Ivan Vladislavić’s Introduction to My Mother’s Laughter, a new collection of poems by the late Chris van Wyk
The JRB presents an excerpt from My Mother’s Laughter: Selected Poems by Chris van Wyk, edited by Ivan Vladislavić and…
What continuities can be drawn from the murder of Ahmed Timol in apartheid Joburg to the killing of George Floyd in Minneapolis? Wamuwi Mbao unpacks the debased tradition of police murdering civilians
The abolition of slavery, formalised gender discrimination, apartheid and other reprehensible ways of being did not occur simply through continued…
‘NO ONE IS SAFE’, a poem by Allan Kolski Horwitz
The Johannesburg Review of Books presents a new poem by Allan Kolski Horwitz. ~~~ NO ONE IS SAFE …
‘Thinking while black’—Read Grace A Musila’s essay from the award-winning book Black Academic Voices: The South African Experience
‘How do we craft a healthy, dignified blackness, in a world where blackness is a captured identity location that needs…
[City Editor] Home, for me, for writers before me, for writers after me—Lidudumalingani makes a pact with post-lockdown Joburg
Melville’s legendary haunt Xai Xai is for writers part restaurant, part sanctuary, writes guest City Editor Lidudumalingani. In Kazuo Ishiguro’s…
[City Editor] The search to find a new vocabulary for the new city—Lidudumalingani muses on literature and lockdown Joburg
Whatever writing emerges from this moment will be an attempt to build a new Johannesburg, writes guest City Editor Lidudumalingani….
[City Editor] Conjuring his images out of darkness—Lidudumalingani reflects on how the late Santu Mofokeng’s photographs are a kind of visual metaphor for Johannesburg
Johannesburg is a city that dances on the edges of elusive, and yet somehow Santu Mofokeng managed to contain it…
[Conversation Issue] ‘I won’t be polite, because there’s nothing polite about patriarchy’—Mona Eltahawy inspires (and triggers) at the Abantu Book Festival, reports Itumeleng Molefi
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…
[Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? A conversation between Lidudumalingani and Outlwile Tsipane
As part of our January Conversation Issue, guest City Editor Lidudumalingani chats to Outlwile Tsipane about the literatures of Johannesburg….
[City Editor] Notes on migration, the city and home by Lidudumalingani
Those who temporarily abandon Johannesburg this December—and those who stay while pining for home—must know that the city is theirs,…
‘I have turned my car into a mobile bookshop’—Siphiwo Mahala chats to Jennifer Malec about self-publishing his new book, Red Apple Dreams, and why short stories are the future
The JRB Editor Jennifer Malec chats to Siphiwo Mahala about his new collection of short stories, Red Apple Dreams. Mahala…
Introducing Yeoville—part of the mythology of transitional Johannesburg
The JRB presents an excerpt from Politics and Community-Based Research: Perspectives from Yeoville Studio, Johannesburg. Politics and Community-Based Research: Perspectives…
A brief history of Joubert Park, an unruly space of despondency and hope—Read an excerpt from Civilising Grass: The Art of the Lawn on the South African Highveld by Jonathan Cane
The JRB presents an excerpt from Civilising Grass: The Art of the Lawn on the South African Highveld by Jonathan…
Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful
Contributing Editor Bongani Madondo unmoors Kwame Brathwaite’s Black Is Beautiful from mono-dimensional notions of the Black Atlantic into a New African Globalism of…
‘The fallible memory is surely at the heart of writing fiction’—Jennifer Malec interviews Ivan Vladislavić about his latest novel, The Distance
The JRB Patron Ivan Vladislavić chats to Editor Jennifer Malec about memory, nostalgia and his latest novel, The Distance. Ivan…
‘A literary con’—Hedley Twidle rereads Familiarity is the Kingdom of the Lost by Dugmore Boetie, the joker in the pack of Sophiatown-era life writing
In this excerpt from his forthcoming book on non-fiction in South African literature, Experiments with Truth, Hedley Twidle revisits Dugmore…
A chronicle of the city’s expansion—photographs from the new book Johannesburg Then and Now
The cover image for the November 2018 issue of The JRB is excerpted from the new book Johannesburg Then and…
Johannesburg’s literary subterranean horror—Read an excerpt from South African Gothic by Rebecca Duncan
The JRB presents an excerpt from South African Gothic: Anxiety and Creative Dissent in the Post-apartheid Imagination and Beyond by…
‘An imaginative understanding of the next person’—Prof Muxe Nkondo considers Can Themba’s significance in South Africa’s world of differences
At a recent Johannesburg symposium on the life of literary icon Can Themba, organised by author Siphiwo Mahala as a…
Unsettling old assumptions about xenophobia—Read an excerpt from I Want to Go Home Forever: Stories of Becoming and Belonging in South Africa’s Great Metropolis
The JRB presents ‘On Patrol in the Dark City’, an excerpt from I Want to Go Home Forever: Stories of Becoming and…
‘I want the reader to be an active participant, to work things out for themselves’—Craig Higginson chats about his new novel, The White Room
Craig Higginson’s sixth novel, The White Room, was published by Picador Africa in August. He chatted to The JRB Editor Jennifer Malec about…
[The JRB Daily] ‘You can’t hide who you are when writing fiction’—Arundhati Roy considers the legacy of VS Naipaul
Indian writer Arundhati Roy, in South Africa on a book tour, sat down with The JRB to discuss her books…
‘I have always been interested in hidden histories’—Harry Kalmer chats about his award-winning debut English novel, A Thousand Tales of Johannesburg
Harry Kalmer won the 2018 Barry Ronge Fiction Prize recently, for his novel A Thousand Tales of Johannesburg. He chatted to…
Reading social reality in the writhing surface of the city—Wamuwi Mbao reviews Colson Whitehead’s The Colossus of New York
Colson Whitehead’s The Colossus of New York, reissued fourteen years after its first publication, endures in the quality of its writing and…
[City Editor] South Africa’s cultural game-changers—Niq Mhlongo believes book clubs are changing the literary landscape
A major change is happening on the South African literary landscape, and it has its roots in the formation of…
In tribute to David Goldblatt—an excerpt from TJ, his authoritative collection of Johannesburg photographs
‘Johannesburg is a fragmented city. It is not a place of smoothly integrated parts. And it has a name that…
‘Johannesburg, the first and last city of our century’: Read an exclusive excerpt from Imraan Coovadia’s new novel, A Spy in Time
Many case officers liked to take a tablet to turn white, believing that it made the job easier. I think…
‘The argument between Beauty and, perhaps, War’: William Kentridge and Denis Hirson in conversation in Johannesburg
Artist William Kentridge and author Denis Hirson appeared in a public conversation at the Goodman Gallery, Johannesburg, in February, to…
[City Editor] ‘I try to appreciate township solidarity without romanticising it’: Niq Mhlongo chats to Jennifer Malec about Soweto, Under the Apricot Tree
The JRB Editor Jennifer Malec chatted to City Editor Niq Mhlongo about the banning of Inxeba, writing to music, and his brand…
‘I don’t believe in showing off’: Nthikeng Mohlele chats about his award-winning novel Pleasure and future artistic pursuits
Nthikeng Mohlele’s Pleasure was recently longlisted for the International Dublin Literary Award—this after winning two major South Africa literary prizes in 2017. The…
‘A confrontation we see as our birthright’: An excerpt from Sisonke Msimang’s new book Always Another Country
Sisonke Msimang, who grew up in exile, describes her first visit to South Africa in December 1990, the year Nelson…
The JRB Vol. 1, Issue 7 cover image features a photograph from Johannesburg In Your Pocket
Our November issue’s cover image comes from Johannesburg In Your Pocket. The photograph features Clive van den Berg’s sculpture The Eland,…