‘As an immigrant, family photos are elegies to a lost world’—Sarah Lubala in conversation with Makhosazana Xaba
This is the third in a series of long-form interviews by Patron Makhosazana Xaba to be hosted on The JRB,…
Tag: Johannesburg
‘We, human beings, know how our stories end—with our heads blossoming into daisies’—Jarred Thompson chats to Anna Stroud about his novel The Institute for Creative Dying
Anna Stroud chats to Jarred Thompson about The Institute for Creative Dying, his debut novel that imagines a radical alternative…
[The JRB exclusive] ‘How are we supposed to fight something we can’t see?’—Read an excerpt from Glass Tower by Sarah Isaacs, winner of the inaugural Island Prize
The JRB presents an exclusive excerpt from Glass Tower by Sarah Isaacs, winner of the 2022 Island Prize for a…
‘Tucked under a bridge in downtown Johannesburg, a place where culture, heritage and tradition converge’—Read an excerpt from Maye! Maye!: The History and Heritage of the Kwa Mai Mai Market
The JRB presents an excerpt from Maye! Maye!: The History and Heritage of the Kwa Mai Mai Market by Sipho…
‘He’d had a home once in Johannesburg, until his father was murdered’—Read an excerpt from Sihle Qwabe’s debut novel, The Resurrection
The JRB presents an excerpt from The Resurrection, the debut novel from Sihle Qwabe. The ResurrectionSihle QwabeKwela, 2023 Read the…
‘iCuriosity kubelungu iningi kabi’—Read an excerpt from Written Out: The Silencing of Regina Gelana Twala by Joel Cabrita
The JRB presents an excerpt from Joel Cabrita’s new book Written Out: The Silencing of Regina Gelana Twala. Written Out:…
‘Riotous Deathscapes charts a course of black life in vast deathscapes. It is a portrait of life among the dead’—an excerpt from Hugo ka Canham’s new book
The JRB presents an excerpt from Hugo ka Canham’s forthcoming book Riotous Deathscapes, to be published mid-May. Riotous DeathscapesHugo ka…
‘There was a heated discussion about me going to work for this “native” paper’—Read an excerpt from Freedom Writer, the memoir of legendary journalist Juby Mayet
The JRB presents an excerpt from Freedom Writer: My Life and Times by the late Juby Mayet. Freedom Writer: My…
Those who haunt inner city Johannesburg have their own ways of being—Wamuwi Mbao reviews The Blinded City by Matthew Wilhelm-Solomon
The Blinded City by Matthew Wilhelm-Solomon is a lucidly fascinating immersion into the world of the people who occupy the…
‘I find hope in the super uncomfortable, taboo-to-talk-about, ugly things’—Lebohang Mojapelo interviews Warsan Shire on her new book, Bless the Daughter Raised by a Voice in Her Head
Lebohang Mojapelo speaks to Warsan Shire about that Beyoncé moment, the importance of bearing witness, and her new book, Bless…
‘Anxiety in South Africa does not impede existence; it has rather become part of existence’—Read an excerpt from Worrier State: Risk, Anxiety and Moral Panic in South Africa by Nicky Falkof
The JRB presents an excerpt from Nicky Falkof’s new book Worrier State: Risk, Anxiety and Moral Panic in South Africa….
‘I saw myself in him, and by seeing myself in him, I felt less alone for the first time’—Read an excerpt from Welcome Mandla Lishivha’s new memoir Boy on the Run
The JRB presents an excerpt from Boy on the Run by Welcome Mandla Lishivha. Boy on the RunWelcome Mandla LishivhaJacana…
The JRB: five years, 50 issues, 425 contributors
‘Africa writes back.’ With these words, The Johannesburg Review of Books debuted in May 2017, announcing an ambitious programme to…
Wole Soyinka vs Caroline Davis—The CIA Controversy by Adekeye Adebajo
In 2020, Caroline Davis, a British scholar, now based at England’s University College London, published the book African Literature and…
[City Editor] ‘At first sight, Johannesburg is simultaneously welcoming and unwelcoming, familiar and unfamiliar’ by Lidudumalingani
There is something permanent about how Johannesburg reveals itself to anyone arriving in it, etching itself into the memory, even…
‘Navigating the reality of his blackness in an oppressive state’—Read an excerpt from Can Themba: The Making and Breaking of the Intellectual Tsotsi by Siphiwo Mahala
The JRB presents an excerpt from Siphiwo Mahala’s new biography, Can Themba: The Making and Breaking of the Intellectual Tsotsi….
A much needed corrective to the literary canon’s rural bias—Timothy Wright reviews Claiming the City in South African Literature by Meg Samuelson
Timothy Wright reviews Meg Samuelson’s new book, Claiming the City in South African Literature, which argues that only through writing…
Read an excerpt from ‘Dinner with Dambudzo’ by Nthikeng Mohlele, from his new short story collection The Discovery of Love
The JRB presents an excerpt from The Discovery of Love, the new collection of short stories from Nthikeng Mohlele. The…
[City Editor] ‘At night, Jozi is dead, unless you are the killer’—11 observations about the city, by Lidudumalingani
Cities and mining Underneath Johannesburg, imagine hollow cities, stretching from Soweto all the way to Turffontein, and further. As the…
The looting that was broadcast across the world—Read an excerpt from History of South Africa by Thula Simpson
The JRB presents an exclusive excerpt from Thula Simpson’s new book History of South Africa. History of South Africa: From…
How to write like a white person—Ben Williams presents notes towards a framework for reading white fiction’s ‘literature of success’
In the context of increasing scrutiny on the literary production of white writers, Ben Williams offers up some ideas on…
[City Editor] In communion—Lidudumalingani gives deference to the worshippers who gather in the streets, parks and open lands of Johannesburg
On Sundays, in downtown Johannesburg, on the edge of Hillbrow, encroaching into Braamfontein, queues of worshippers fill out the streets,…
‘The Pit was a place steeped in gloom, where people seldom went, and where certainly no one went alone’—Read an excerpt from Ashraf Kagee’s new novel By the Fading Light
The JRB presents an excerpt from By the Fading Light, the new novel from European Union Literary Award-winner Ashraf Kagee….
‘These are the nuances of poverty’—Read an excerpt from Razina Theba’s new memoir A Home on Vorster Street
The JRB presents an excerpt from A Home on Vorster Street: A Memoir by Razina Theba. A Home on Vorster…
[City Editor] Re-mapping the city by suicide—Lidudumalingani on the hidden brutality of the Johannesburg skyline
Re-mapping the city by suicide. Tiny dots of what is left when we die etched into the urban cartography. Souls…
‘Miriam Tlali understood the complicated meanings of being “the first” for a black woman’—Read an excerpt from Pumla Dineo Gqola’s new book Miriam Tlali: Writing Freedom
The JRB presents an excerpt from Miriam Tlali: Writing Freedom, the latest book by Pumla Dineo Gqola, which brings together…
Johannesburg’s Place of Good Hope—Read an excerpt from Amakomiti: Grassroots Democracy in South African Shack Settlements by Trevor Ngwane
The JRB presents an excerpt from Trevor Ngwane’s forthcoming book Amakomiti: Grassroots Democracy in South African Shack Settlements. Amakomiti: Grassroots…
A Midwinter’s Musical Tale, compiled by Tymon Smith
The JRB presents tunes and accompanying editorial from our EAP member Tymon Smith. Natalie Portman and I are exactly the same age, born…
[City Editor] The people who stare at the city—Lidudumalingani recognises Joburg’s street vendors, our unacknowledged everyday archivists
The man at the bottom of Johannesburg Road in Highlands North, where Berkswell Road intersects it, punching it from the…
‘Calls for television grew louder in 1969, after the rest of the world got to see Neil Armstrong walk on the moon’—Read an excerpt from William Dicey’s new book 1986
The JRB presents an excerpt from 1986, the new book by William Dicey. 1986William DiceyPenguin Random House SA, 2021 ~~~…
[City Editor] ‘Who owns it, who visits it, who is it for?’ Lidudumalingani visits Joburg’s James Hall Museum of Transport
It’s an odd, even an imperfect location to build a museum—to build, many may argue, any kind of structure at…
[City Editor] A city caught between two moments—Lidudumalingani considers Johannesburg’s obvious and hidden histories
Almost every city has been built more than once. Each phase complete with its own architecture and infrastructure and, for…
‘Lines and images stick in the mind years after they have been heard or read’—Read Ivan Vladislavić’s Introduction to My Mother’s Laughter, a new collection of poems by the late Chris van Wyk
The JRB presents an excerpt from My Mother’s Laughter: Selected Poems by Chris van Wyk, edited by Ivan Vladislavić and…
What continuities can be drawn from the murder of Ahmed Timol in apartheid Joburg to the killing of George Floyd in Minneapolis? Wamuwi Mbao unpacks the debased tradition of police murdering civilians
The abolition of slavery, formalised gender discrimination, apartheid and other reprehensible ways of being did not occur simply through continued…
‘NO ONE IS SAFE’, a poem by Allan Kolski Horwitz
The Johannesburg Review of Books presents a new poem by Allan Kolski Horwitz. ~~~ NO ONE IS SAFE …
‘Thinking while black’—Read Grace A Musila’s essay from the award-winning book Black Academic Voices: The South African Experience
‘How do we craft a healthy, dignified blackness, in a world where blackness is a captured identity location that needs…
[City Editor] Home, for me, for writers before me, for writers after me—Lidudumalingani makes a pact with post-lockdown Joburg
Melville’s legendary haunt Xai Xai is for writers part restaurant, part sanctuary, writes guest City Editor Lidudumalingani. In Kazuo Ishiguro’s…
[City Editor] The search to find a new vocabulary for the new city—Lidudumalingani muses on literature and lockdown Joburg
Whatever writing emerges from this moment will be an attempt to build a new Johannesburg, writes guest City Editor Lidudumalingani….
[City Editor] Conjuring his images out of darkness—Lidudumalingani reflects on how the late Santu Mofokeng’s photographs are a kind of visual metaphor for Johannesburg
Johannesburg is a city that dances on the edges of elusive, and yet somehow Santu Mofokeng managed to contain it…
[Conversation Issue] ‘I won’t be polite, because there’s nothing polite about patriarchy’—Mona Eltahawy inspires (and triggers) at the Abantu Book Festival, reports Itumeleng Molefi
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…