[City Editor] Re-mapping the city by suicide—Lidudumalingani on the hidden brutality of the Johannesburg skyline
Re-mapping the city by suicide. Tiny dots of what is left when we die etched into the urban cartography. Souls…
Author: Lidudumalingani
[City Editor] The people who stare at the city—Lidudumalingani recognises Joburg’s street vendors, our unacknowledged everyday archivists
The man at the bottom of Johannesburg Road in Highlands North, where Berkswell Road intersects it, punching it from the…
Poetry as a short circuit in the machine of communication—Lidudumalingani talks to Simon van Schalkwyk about his debut collection, Transcontinental Delay
Guest City Editor Lidudumalingani talks to Academic Editor Simon van Schalkwyk about identity, memory, psychogeography, and his new poetry collection,…
[City Editor] ‘Who owns it, who visits it, who is it for?’ Lidudumalingani visits Joburg’s James Hall Museum of Transport
It’s an odd, even an imperfect location to build a museum—to build, many may argue, any kind of structure at…
[City Editor] A city caught between two moments—Lidudumalingani considers Johannesburg’s obvious and hidden histories
Almost every city has been built more than once. Each phase complete with its own architecture and infrastructure and, for…
[City Editor] ‘Writers do not write alone. They are always in the company of other writers’—Lidudumalingani reflects on reading books that make you write
Some days are longer than others, and during this Covid-19 controlled reality, it seems like someone out there somewhere keeps…
[City Editor] Home, for me, for writers before me, for writers after me—Lidudumalingani makes a pact with post-lockdown Joburg
Melville’s legendary haunt Xai Xai is for writers part restaurant, part sanctuary, writes guest City Editor Lidudumalingani. In Kazuo Ishiguro’s…
[City Editor] The search to find a new vocabulary for the new city—Lidudumalingani muses on literature and lockdown Joburg
Whatever writing emerges from this moment will be an attempt to build a new Johannesburg, writes guest City Editor Lidudumalingani….
[City Editor] Conjuring his images out of darkness—Lidudumalingani reflects on how the late Santu Mofokeng’s photographs are a kind of visual metaphor for Johannesburg
Johannesburg is a city that dances on the edges of elusive, and yet somehow Santu Mofokeng managed to contain it…
[Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? A conversation between Lidudumalingani and Outlwile Tsipane
As part of our January Conversation Issue, guest City Editor Lidudumalingani chats to Outlwile Tsipane about the literatures of Johannesburg….
[City Editor] Notes on migration, the city and home by Lidudumalingani
Those who temporarily abandon Johannesburg this December—and those who stay while pining for home—must know that the city is theirs,…
A perfectly shaped raging fire of language and emotion—Lidudumalingani reviews Everything is a Deathly Flower, the debut poetry collection by Maneo Mohale
Lidudumalingani reviews Everything is a Deathly Flower by Maneo Mohale, finding it to be a succession of powerful moments. Everything…
[Conversation Issue] ‘There is nothing I loathe more than the idea that a piece of writing is “experimental”’—Emmanuel Iduma in conversation with Lidudumalingani
As part of our January Conversation Issue, Emmanuel Iduma, author of A Stranger’s Pose, in conversation with writer and photographer Lidudumalingani….
‘Writing is sometimes like a thread that weaves all our hearts into one’: Lidudumalingani reflects on his Caine Prize visit to the United States
Lidudumalingani won the 2016 Caine Prize for African Writing for his short story ‘Memories We Lost’. As part of the…