‘If I had power over the lexical landscape, I would get rid of the word immigrant’—Nana Oforiatta Ayim talks to Wamuwi Mbao about her debut novel The God Child

Nana Oforiatta Ayim is a Ghanaian writer, filmmaker and art historian. On a balmy traffic-clagged Cape Town morning, I meet…

Art & Architecture

[City Editor] Conjuring his images out of darkness—Lidudumalingani reflects on how the late Santu Mofokeng’s photographs are a kind of visual metaphor for Johannesburg

Johannesburg is a city that dances on the edges of elusive, and yet somehow Santu Mofokeng managed to contain it…

Art & Architecture

‘As we sleepwalk ever closer toward climate catastrophe’—An excerpt from Broken Land, the new photobook by Daylin Paul, winner of the Ernest Cole Award

Daylin Paul won the Ernest Cole Award, a photography prize for a prospective project, for his debut work Broken Land…


[The JRB exclusive] ‘PS. Everybody calls me Binyavanga these days.’ Read Binyavanga Wainaina’s letter to his late mother, from the 2016 exhibition Inside: Artists and Writers in Reading Prison

In 2016, the late Binyavanga Wainaina contributed a piece of writing to a United Kingdom-based art project titled Inside: Artists and…


Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful

Contributing Editor Bongani Madondo unmoors Kwame Brathwaite’s Black Is Beautiful from mono-dimensional notions of the Black Atlantic into a New African Globalism of…


‘I didn’t seem to exist. It felt easier that way’—Es’kia Mphahlele. Read an excerpt from Like Family: Domestic Workers in South African History and Literature

The JRB presents an extract from Like Family: Domestic Workers in South African History and Literature, by Ena Jansen. Like…


[Conversation Issue] ‘There is nothing I loathe more than the idea that a piece of writing is “experimental”’—Emmanuel Iduma in conversation with Lidudumalingani

As part of our January Conversation Issue, Emmanuel Iduma, author of A Stranger’s Pose, in conversation with writer and photographer Lidudumalingani….


[The JRB Daily] ‘None But Ourselves’—Percy Zvomuya charts the sonic cartography of a revolution in the new Chimurenga Chronic: ‘The Invention of Zimbabwe’

Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…