View from the privileged heights of the JIAS Castle: Zukiswa Wanner and Niq Mhlongo reflect on their writing fellowship
The JRB City Editor Niq Mhlongo and Zukiswa Wanner have both just published new books—Soweto, Under the Apricot Tree and…
The JRB City Editor Niq Mhlongo and Zukiswa Wanner have both just published new books—Soweto, Under the Apricot Tree and…
The Only Story is Julian Barnes’s thirteenth novel in a career spanning thirty-eight years, but his gift for turning grim…
The African Centre for the Study of the United States (ACSUS), a new research centre based at Wits University, Johannesburg,…
Zadie Smith’s new collection of essays, Feel Free, is a too-rare pleasure, writes The JRB Editor Jennifer Malec. Not many…
Exclusive to The JRB, read Wame Molefhe’s short story ‘A Woman is her Hands’, excerpted from The Gods Who Send…
Maureen Isaacson reports from Stockholm, Sweden, on the latest developments around the scandal engulfing the Nobel Prize in Literature. The…
Panashe Chigumadzi’s new book, These Bones Will Rise Again, will be out from United Kingdom-based independent publisher The Indigo Press in June….
The Swedish Academy, responsible for awarding the Nobel Prize in Literature, is currently being rocked by a sexual abuse and…
The African Speculative Fiction Society has announced the nominations for the 2018 Nommo Awards, including two stories by The JRB…
Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…
The shortlist for this year’s Man Booker International Prize has been announced. The Man Booker International celebrates the finest global…
The shortlist has been announced for the 2018 International Dublin Literary Award, the world’s most valuable annual literary prize for a single…
The JRB’s Academic Editor Simon van Schalkwyk spoke to UK academic, historian and philosopher Paul Gilroy, who was in Johannesburg…
Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu, which was recently awarded a prestigious Windham-Campbell Prize for Fiction. Kintu Jennifer…
Artist William Kentridge and author Denis Hirson appeared in a public conversation at the Goodman Gallery, Johannesburg, in February, to…
Mohsin Hamid’s new book, Exit West, is a work of speculative fiction that will be read as ‘The Great Migration…
Richard Poplak reviews 12 Rules For Life by Jordan B Peterson, ‘the most influential public intellectual in the Western world…
Achille Mbembe’s vision is a guide to the revolution that stands on the other side of revolution, writes Imraan Coovadia. Critique…
The JRB is proud to present an exclusive excerpt from the graphic novel An Eternity in Tangiers, by Ivorian illustrator…
Comment sauver son enfant d’une mort certaine ? Faut-il, comme le croit le père de l’auteur, faire confiance à l’école…
This is an edited version of a letter The JRB received, from Christine Chiosi, in response to the essay by…
Lizzy Attree has joined the board of Short Story Day Africa. Attree stepped down as the director of the Caine Prize for…
The longlist has been revealed for the 2018 Man Booker International Prize. The Man Booker International celebrates the finest global…
Queer Africa 2: New Stories, a short story collection edited by The JRB Patron Makhosazana Xaba and Karen Martin, has…
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
The Johannesburg Review of Books presents previously unpublished poetry by Mikael Johani. chapel hill stuck a pin in…
The Monk of Mokha’s easygoing optimism glides over the prejudices and hatred that underdog minorities face in the United States,…
Luanda’s Shrödinger’s Woman: Efemia Chela travels to Angola with José Eduardo Agualusa’s A General Theory of Oblivion, which was shortlisted for…
Margie Orford, President Emerita of PEN South Africa and board member of PEN International, on the PEN International Women’s Manifesto,…
Words without Borders’s issue dedicated to Tunisian women writers got lost in the flurry of the end of 2017, with…
Thirty-eight Nobel laureates have written an open letter to Turkish President Recep Tayyip Erdoğan, to draw his attention to damage…
The Caine Prize for African Writing has announced that director Lizzy Attree is leaving the organisation. Attree has served as director…
The Africa Centre has announced the shortlists for the 2017 Artists In Residency programmes, including The JRB Contributing Editor Efemia Chela. The…
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…
Efemia Chela travels to Guinea-Bissau with Abdulai Silá’s The Ultimate Tragedy in The JRB’s Temporary Sojourner series. The Ultimate Tragedy (A Última Tragédia)…
An exhibition of JM Coetzee’s newly discovered childhood photography was recently held in Cape Town. Wamuwi Mbao was there. With…
Wamuwi Mbao reviews The Magic Lamp, a new collection of meditations and stories by Ben Okri, illustrated by Rosemary Clunie. The…
Second-wave feminism, mansplained: Diane Awerbuck finds much to disappoint in Stephen and Owen King’s Sleeping Beauties. Sleeping Beauties Stephen King…
Fear of a black planet, rather than ‘economic anxiety’, gnaws at the West’s hallowed liberal democratic principles, writes Lebohang Mojapelo….
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…