Ben Okri demonstrates the value of dreams in a ramshackle world: Wamuwi Mbao reviews The Magic Lamp
Wamuwi Mbao reviews The Magic Lamp, a new collection of meditations and stories by Ben Okri, illustrated by Rosemary Clunie. The…
Tag: Reviews
A flawed take on immigration and the rise of the right: Lebohang Mojapelo reviews Sasha Polakow-Suransky’s Go Back to Where You Came From
Fear of a black planet, rather than ‘economic anxiety’, gnaws at the West’s hallowed liberal democratic principles, writes Lebohang Mojapelo….
Ta-Nehisi Coates is not the voice of black people: Kibo Ngowi considers the cult of intersectionality
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
All the President’s Keepers: Imraan Coovadia reviews Jacques Pauw’s sensational exposé on Jacob Zuma and the gangster state
Jacques Pauw’s new book The President’s Keepers shows that children will have it harder tomorrow and that the children of South…
Beware of angels and other executives of perfection: Wamuwi Mbao appraises JM Coetzee’s Late Essays
Like watching JM Coetzee solve a series of Rubik’s cubes, only more entertaining: Wamuwi Mbao reviews Late Essays: 2006–2017. Late Essays: 2006–2017…
Disrupting the solipsism of the personal photograph: Wamuwi Mbao reviews Teju Cole’s new book, Blind Spot
How streaked we are by what we see: Teju Cole is at his engrossing best in his new book, Blind…
[Temporary Sojourner] False memories and true love in Sierra Leone: Efemia Chela reads Aminatta Forna’s The Memory of Love
The perfect tragic vision of love and collective violence: Francophone & Contributing Editor Efemia Chela travels to Sierra Leone by reading Aminatta…
A rollicking tale: Alex Lichtenstein reviews Charles van Onselen’s new book The Cowboy Capitalist: John Hays Hammond, the American West and the Jameson Raid
Charles van Onselen’s new book offers a gripping narrative, a witty voice dripping with matchless sarcasm, and unparalleled knowledge of…
‘A writer utterly in control of her medium’: Wamuwi Mbao reviews Scaachi Koul’s glittering collection of essays, One Day We’ll All Be Dead and None of This Will Matter
In her debut collection of essays, One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul delivers…
Salman Rushdie’s finest writing in many years: CA Davids reviews The Golden House
Despite a tone of hopelessness, Salman Rushdie’s latest novel The Golden House carries majesty, from its prose to its world-weary gaze….
Mak Manaka: One horny m’fcker – Bongani Madondo reviews Flowers of a Broken Smile
Take me to the memory of my grandmother’s hands I want to bathe in her voice and remember how…
‘The place you return to is always slightly different’: Imraan Coovadia reviews Haruki Murakami’s new book, Men Without Women
Men Without Women Haruki Murakami Harvill Secker, 2017 In Haruki Murakami’s collection of seven stories, Men without Women, the characters…
A shared secondhand experience of South Africa: Mbali Sikakana reviews Zinzi Clemmons’s What We Lose
What We Lose Zinzi Clemmons Fourth Estate, 2017 Memory itself is an internal rumour —George Santayana But most of…
A love story for modern Africa: Richard Ali reviews Dance of the Jakaranda by Peter Kimani
Dance of the Jakaranda Peter Kimani Akashic Books, 2017 Two Europeans exchange confidences on a train travelling through the Great Rift…
The Johannesburg Review of Books Vol. 1, Issue 3 (July 2017)
The third issue of The Johannesburg Review of Books is here, with some big reviews, in-depth interviews and quality ruminations…
‘What is the acceptable amount of blood for good literature?’ Panashe Chigumadzi reviews Arundhati Roy’s The Ministry of Utmost Happiness
The Ministry of Utmost Happiness Arundhati Roy Hamish Hamilton/Penguin Random House, 2017 Algebra. For the last twenty years Arundhati Roy…
A steady vigil over the slow death of the anti-apartheid dream: Rustum Kozain reviews Kelwyn Sole’s latest poetry collection, Walking, Falling
Kelwyn Sole Walking, Falling Deep South, 2017 Read: Four Poems by Kelwyn Sole Walking, Falling extends Kelwyn Sole’s…
‘A dazzling new voice’: Olufunke Ogundimu reviews Lesley Nneka Arimah’s What It Means When a Man Falls From the Sky
What It Means When a Man Falls From the Sky Lesley Nneka Arimah Riverhead Books, 2017 Lesley Nneka Arimah’s debut collection of short stories,…
Eking out a deeper truth on the rough seas of historical fiction: Wamuwi Mbao reviews Fred Khumalo’s Dancing the Death Drill
Dancing the Death Drill Fred Khumalo Umuzi, 2017 The historical novel presents rough seas for a writer. Attaching a novel…
Caught in the surreal postcolonial swirl: Wamuwi Mbao reviews Black Moses by Alain Mabanckou
Black Moses Alain Mabanckou Serpent’s Tail 2017 (Man Booker International Prize finalist) A young man visits a doctor in the…
We are not dogs! We must get organised: Percy Zvomuya reviews The Beggars’ Strike by Aminata Sow Fall
Percy Zvomuya reviews The Beggars’ Strike, by Senegalese author Aminata Sow Fall, first published in English in 1981. The Beggars’…
Portrait of the poet as a young genius: Bongani Madondo reviews Koleka Putuma’s Collective Amnesia
There is an ‘undecidable conflict’ between the poet’s desire to sing an alternative world and, as Grossman puts it, the…
Facing up to a techno-feudal world: Richard Poplak reviews Rise of the Robots: Technology and the Threat of a Jobless Future
Rise of the Robots: Technology and the Threat of a Jobless Future Martin Ford Oneworld 2016 The robots are coming….