A fascinating, if flawed, enquiry—Zikhona Valela reviews Jonny Steinberg’s Winnie and Nelson: Portrait of a Marriage
Zikhona Valela reviews Winnie and Nelson: Portrait of a Marriage by Jonny Steinberg. Winnie and Nelson: Portrait of a Marriage…
Category: History
The heady days of post-independence literature in Zimbabwe—Fungai Machirori interviews renowned independent publisher Irene Staunton
It was a warm afternoon when I visited Weaver Press earlier this year. I was moderating a book launch for…
‘The language we know as Afrikaans today owes much to the enslaved people who spoke it’—Read an excerpt from Coloured: How Classification Became Culture
The JRB presents an excerpt from Coloured: How Classification Became Culture by Tessa Dooms and Lynsey Ebony Chutel. ColouredTessa Dooms,…
‘An intsomi, a fable of biblical and mythological proportions’—Mphuthumi Ntabeni reviews Eye Brother Horn by Bridget Pitt
Eye Brother Horn by Bridget Pitt is a South African novel immersed in our oral culture and traditions, writes Mphuthumi…
‘Almost all of Africa’s ancient artistic heritage is now preserved in European countries’—Read an excerpt from Bénédicte Savoy’s Africa’s Struggle for Its Art
The JRB presents an excerpt from Africa’s Struggle for Its Art: History of a Postcolonial Defeat by Bénédicte Savoy. Africa’s…
‘You are simulating what happened to real people and that’s a searing thought’—Joanne Joseph discusses her historical novel, Children of Sugarcane
The JRB’s Editor Jennifer Malec chats to Joanne Joseph about her debut novel, Children of Sugarcane. Children of SugarcaneJoanne JosephJonathan…
[Fiction Issue] Read ‘The Widow of Marabastad’ an excerpt from the new graphic novel All Rise: Resistance and Rebellion in South Africa
The JRB presents an excerpt from All Rise: Resistance and Rebellion in South Africa, a new graphic novel by Richard…
‘Wouter Basson didn’t reply to my queries’—Imraan Coovadia chats to Jennifer Malec about his new book The Poisoners: On South Africa’s Toxic Past
Award-winning author Imraan Coovadia chats to The JRB Editor Jennifer Malec about the mechanisms of good and evil, emailing Wouter Basson, and his…
Understanding Pan-Africanist struggles for global slavery and colonialism reparations, by Adekeye Adebajo
The JRB presents an edited excerpt from the Introduction to The Pan-African Pantheon: Prophets, Poets and Philosophers by Adekeye Adebajo….
The looting that was broadcast across the world—Read an excerpt from History of South Africa by Thula Simpson
The JRB presents an exclusive excerpt from Thula Simpson’s new book History of South Africa. History of South Africa: From…
‘Nothing, virtually no project, no cultural initiative, was left unbrushed by the CIA reptilian coils’—Wole Soyinka. Read an excerpt from White Malice: The CIA and the Neocolonisation of Africa
The JRB presents an excerpt from Susan Williams’s new book White Malice: The CIA and the Neocolonisation of Africa. White…
Pushkin’s African heritage—Read an excerpt from African Europeans: An Untold History by Olivette Otele
The JRB presents an excerpt from Olivette Otele’s African Europeans: An Untold History, which was recently shortlisted for the Orwell…
A Cape tragedy—Stephen Langtry reviews Martin Plaut’s new book Dr Abdullah Abdurahman: South Africa’s First Elected Black Politician
Whether we have learnt from the story of Dr Abdullah Abdurahman remains to be seen, writes Stephen Langtry. Martin Plaut’s…
‘Calls for television grew louder in 1969, after the rest of the world got to see Neil Armstrong walk on the moon’—Read an excerpt from William Dicey’s new book 1986
The JRB presents an excerpt from 1986, the new book by William Dicey. 1986William DiceyPenguin Random House SA, 2021 ~~~…
The archive has been rigged—Wamuwi Mbao reviews Patric Tariq Mellet’s The Lie of 1652, uncovering the debased half-truths installed as national narrative
In The Lie of 1652, Patric Tariq Mellet fills in the ‘before’ that was of little interest to those invested…
[The JRB Daily] ‘A story luminously told’—Marguerite Poland’s historical novel A Sin of Omission shortlisted for prestigious Walter Scott Prize for Historical Fiction
The shortlist for the 2020 Walter Scott Prize for Historical Fiction has been announced, including South African author Marguerite Poland,…
Board the Eastern Main Line and go to work in Hell—Richard Poplak reviews The Night Trains, Charles van Onselen’s finest book yet
Richard Poplak reviews The Night Trains by Charles van Onselen, a book grounded in the hard work of scouring the…
Introducing Yeoville—part of the mythology of transitional Johannesburg
The JRB presents an excerpt from Politics and Community-Based Research: Perspectives from Yeoville Studio, Johannesburg. Politics and Community-Based Research: Perspectives…
[The JRB Daily] 2019 Sunday Times Literary Awards longlists announced
The longlists for the 2019 Sunday Times Literary Awards have been revealed! The duo of awards—the Alan Paton Award for…
‘Authors in the West don’t worry about whether Africa will understand them’—Jennifer Nansubuga Makumbi discusses Kintu at Wits
Ugandan author Jennifer Nansubuga Makumbi visited Wits University in August, for a discussion around her debut novel, Kintu. Kintu Jennifer…
Read an excerpt from Congolese–French author Wilfried N’sondé’s novel Un océan, deux mers, trois continents, winner of the Prix Ahmadou-Kourouma
Un océan, deux mers, trois continents is the realisation of an idea I had forming in my mind for about…
Novuyo Rosa Tshuma and Panashe Chigumadzi in conversation—Meditations on the traumas and triumphs of Zimbabwe’s histories
‘History is created in the mouth …’ Novuyo Rosa Tshuma and The JRB Contributing Editor Panashe Chigumadzi both have new…
‘Historical fiction is a way of fighting rootlessness’—Ayesha Harruna Attah discusses her new novel The Hundred Wells of Salaga
Ayesha Harruna Attah’s new novel, The Hundred Wells of Salaga, has just been published by Cassava Republic Press. She chatted…
[The JRB Exclusive] ‘The colonisers were right: the mbira is dangerous’—Read an excerpt from Panashe Chigumadzi’s new book These Bones Will Rise Again
Chigumadzi’s exploration of personal, family and national history reincarnates in stark, vivid images, many of those interred in the shadows…
The Durban Riots and an ‘ambitious re-examination’ of the relationship between Africans and Indians–Alex Lichtenstein reviews Jon Soske’s Internal Frontiers
By recentering the narrative on Durban and Natal, rather than Johannesburg and the Transvaal, Jon Soske modifies the established account…
[The JRB Exclusive] ‘What African Nationalism Is’—Read an excerpt from Africa’s Cause Must Triumph: The Collected Writings of AP Mda
The JRB is proud to present an excerpt from Africa’s Cause Must Triumph: The Collected Writings of AP Mda. Africa’s Cause…
‘I have always been interested in hidden histories’—Harry Kalmer chats about his award-winning debut English novel, A Thousand Tales of Johannesburg
Harry Kalmer won the 2018 Barry Ronge Fiction Prize recently, for his novel A Thousand Tales of Johannesburg. He chatted to…
Historical fiction is back—with a fire in its belly: Fred Khumalo reflects on how writing can be a powerful tool for an activist
Fred Khumalo, whose most recent novel is Dancing the Death Drill, believes past narratives can help shape what is to…
Making space for women in South Africa’s political memory, or, the case of the non-intersection of Pixley ka Seme and Charlotte Maxeke Streets
Recently published biographies of Pixley ka Seme and Charlotte Maxeke reveal how women’s histories become insignificant back roads in the…
Phil Bonner, 1945—2017, RIP
Phil Bonner, leading historian and Africanist scholar, passed away in Johannesburg on Sunday, 24 September, aged seventy-two. Bonner was Professor…
A rollicking tale: Alex Lichtenstein reviews Charles van Onselen’s new book The Cowboy Capitalist: John Hays Hammond, the American West and the Jameson Raid
Charles van Onselen’s new book offers a gripping narrative, a witty voice dripping with matchless sarcasm, and unparalleled knowledge of…