Read ‘A Stateless Poem’ by Danielle Legros Georges, from the new anthology New Daughters of Africa
In celebration of Women’s Month, The JRB presents a series of excerpts from New Daughters of Africa. Edited by Margaret…
Category: USA
[The JRB Daily] 9mobile Prize Board of Patrons announce resignation—statement by Ama Ata Aidoo, Ellah Wakatama Allfrey, Margaret Busby, Sarah Ladipo Manyika, Zakes Mda and Dele Olojede
The JRB has received a statement from the Board of Patrons of the 9mobile Prize for Literature, indicating their resignation…
Writing queerness as mythology—Zanta Nkumane reviews Ocean Vuong’s debut novel, On Earth We’re Briefly Gorgeous
Zanta Nkumane reviews Ocean Vuong’s devastatingly beautiful debut On Earth We’re Briefly Gorgeous, a novel about living in the margins,…
[The JRB Daily] Debut novelist Emily Ruskovich wins International Dublin Literary Award, the world’s most valuable annual literary prize, for her book Idaho
American author Emily Ruskovich has won the 2019 International Dublin Literary Award, known as ‘the world’s richest annual literary prize’,…
[The JRB Daily] Tayari Jones wins the Women’s Prize for Fiction for her ‘exquisitely intimate’ novel An American Marriage
Tayari Jones has been announced as the winner of the 2019 Women’s Prize for Fiction for her novel An American…
[The JRB Daily] ‘Globally inspiring’ NB Publishers wins AAP International Freedom to Publish Award for Jacques Pauw’s book The President’s Keepers
NB Publishers has been awarded the prestigious AAP International Freedom to Publish Award for Jacques Pauw’s book The President’s Keepers. The…
Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful
Contributing Editor Bongani Madondo unmoors Kwame Brathwaite’s Black Is Beautiful from mono-dimensional notions of the Black Atlantic into a New African Globalism of…
Rough honesty, ample sex and ripe desire—Efemia Chela reads Leïla Slimani’s Adèle, Ariana Harwicz’s Die, My Love and Melissa Broder’s The Pisces
The JRB Contributing Editor Efemia Chela reads Adèle, Die, My Love and The Pisces, three stirring psychological novels, kindred portraits of contemporary womanhood….
[The JRB Daily] Women’s Prize for Fiction shortlist revealed—‘a diverse range of voices and nationalities’
The shortlist for the Women’s Prize for Fiction, awarded annually to the ‘best, eligible full-length novel in English’ by a woman,…
A book written by a great writer who wants to be everything to everyone—Tymon Smith reviews Black Leopard, Red Wolf by Marlon James
Black Leopard, Red Wolf is a frustrating could’ve, would’ve, should’ve affair, although it may yet prove to be the beginning…
Is South African literature perceived as insular? Mbali Sikakana talks to Michael Barron of Melville House Publishing
Despite a strong heritage stretching back more than a century, South African fiction remains largely unfamiliar—apart from a handful of…
‘Baldwin the symbol of black transgression and global black anger is simply peerless’—Bongani Madondo on If Beale Street Could Talk, the book and Oscar-winning film
James Baldwin’s novel of half a century ago, If Beale Street Could Talk, now reissued by Penguin Random House, was…
Illuminating a mighty poet and a total artist—Rustum Kozain reviews Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…
Showcasing African literature’s contribution to decolonisation—Lebohang Mojapelo reviews Ngũgĩ: Reflections on His Life of Writing
Lebohang Mojapelo reviews Ngũgĩ: Reflections on His Life of Writing, a collection of essays that reflects on the life and work of Ngũgĩ…
A 1960s summer in New York with Lewis Nkosi—Read an excerpt from Vintage Love and Other Essays by Jolyon Nuttall
The JRB presents an excerpt from Vintage Love and Other Essays by Jolyon Nuttall. Vintage Love Jolyon Nuttall Jacana Media, 2018 …
[Conversation Issue] A brief history of the Igbo civilisation, and a love story—Chigozie Obioma chats to Jennifer Malec about his new novel, An Orchestra of Minorities
As part of our January Conversation Issue, The JRB Editor Jennifer Malec talks to Chigozie Obioma about his forthcoming ‘African cosmological novel’, An Orchestra…
[Conversation Issue] How to protect Africa—Mbali Sikakana decodes Chimamanda Ngozi Adichie’s visit to the Abantu Book Festival
As part of our January Conversation Issue, Mbali Sikakana contemplates the significance of Chimamanda Ngozi Adichie’s recent discussion with Pumla…
[The JRB Daily] Three African authors up for International Dublin Literary Award—the world’s richest annual literary prize
Three African authors have made the longlist for the International Dublin Literary Award, the world’s most valuable annual literary prize for…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
What would happen if the super-rich spent all their money? Jennifer Malec reviews Patrick deWitt’s new novel, French Exit
It’s a strange time to be writing a comedy of manners about moneyed New Yorkers, but Patrick deWitt’s French Exit…
Books and belonging—Fred Khumalo reflects on how James Hadley Chase and Alan Paton changed his life
Fred Khumalo recalls being swept off his feet by Alan Paton, the African Writers Series and James Hadley Chase. It’s a question…
[The JRB Daily] ‘Remarkably diverse’ 2018 Man Booker Prize shortlist announced
The six authors shortlisted for the £50,000 Man Booker Prize have been announced—with 27-year-old debut novelist Daisy Johnson becoming the youngest…
‘Utterly mysterious, and utterly worthy of our attention’—Wamuwi Mbao reviews Asymmetry, the debut novel by Lisa Halliday
Lisa Halliday’s debut Asymmetry is a genuinely surprising novel, which invites us to question how men and women are rendered in…
A glorious mixture of low and high culture—Loftus Marais reviews Robin Robertson’s Man Booker Prize-longlisted book, The Long Take
The Long Take by Robin Robertson is longlisted for the 2018 Man Booker Prize. Here is poet Loftus Marais’s short…
‘We should wrench the power away from the West and determine our own canon’—Jennifer Nansubuga Makumbi talks to CA Davids about her novel Kintu
Jennifer Nansubuga Makumbi is in South Africa in August to discuss her lauded debut novel, Kintu. She spoke to CA…
The Durban Riots and an ‘ambitious re-examination’ of the relationship between Africans and Indians–Alex Lichtenstein reviews Jon Soske’s Internal Frontiers
By recentering the narrative on Durban and Natal, rather than Johannesburg and the Transvaal, Jon Soske modifies the established account…
[The JRB Daily] 2018 Man Booker Prize longlist announced—no African authors for the second year running
The 2018 Man Booker Prize longlist has been announced, including a graphic novel for the first time. The £50,000 prize had…
Bucking against the inevitability of her martyrdom—The Negressity of Black womenhood and The Ones With Purpose
Mbali Sikakana considers Nozizwe Cynthia Jele’s new novel The Ones With Purpose in the context of Hilton Als’s groundbreaking 1996…
Reading social reality in the writhing surface of the city—Wamuwi Mbao reviews Colson Whitehead’s The Colossus of New York
Colson Whitehead’s The Colossus of New York, reissued fourteen years after its first publication, endures in the quality of its writing and…
‘Being in South Africa as an author has shifted my perspective’—Zinzi Clemmons chats to The JRB about her debut novel, What We Lose
Zinzi Clemmons was in South Africa recently on a book tour for her debut novel, What We Lose. She sat…
[Temporary Sojourner] Efemia Chela reads Roland Rugero’s Baho!—the first Burundian novel to be translated into English
Ableism and the silent roar: The JRB Francophone and Contributing Editor Efemia Chela travels to Burundi with Roland Rugero’s novel Baho! in The…
‘I had the nerve to like my hair just the way it was’—Listen to Zinzi Clemmons read from her debut novel What We Lose
Exclusive to The JRB, listen to a recording of Zinzi Clemmons reading from her debut novel, What We Lose. What…
‘The glutton ate the snail and it made his cheeks explode’: Read an excerpt from Baho! by Burundian author Roland Rugero
The JRB is proud to present an excerpt from Roland Rugero’s novel Baho!—the first Burundian novel to be translated from French…
[The JRB Daily] [Exclusive] ‘It’s worse than most people think’—Zinzi Clemmons on Junot Díaz and literature’s latest #MeToo moment
Author Zinzi Clemmons, who is in Johannesburg on a book tour, sat down with The JRB Editor Jennifer Malec today…
Decolonisation is generating your own knowledge and understandings: Tawana Kupe discusses the new Wits-based African Centre for the Study of the United States
The African Centre for the Study of the United States (ACSUS), a new research centre based at Wits University, Johannesburg,…
Richard Poplak sets Jordan B Peterson’s house in order: a (scorching) review of 12 Rules For Life
Richard Poplak reviews 12 Rules For Life by Jordan B Peterson, ‘the most influential public intellectual in the Western world…
[The JRB Daily] Queer Africa 2, edited by Makhosazana Xaba and Karen Martin, announced as a 2018 Lambda Literary Awards finalist
Queer Africa 2: New Stories, a short story collection edited by The JRB Patron Makhosazana Xaba and Karen Martin, has…
A novel that takes up Baldwin’s declaration that the story of America ‘is not a pretty one’: Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
A real-life Yemeni-American hero: Imraan Coovadia reviews Dave Eggers’s new book, The Monk of Mokha
The Monk of Mokha’s easygoing optimism glides over the prejudices and hatred that underdog minorities face in the United States,…
Exquisite, but a reminder that there will never be another Baldwin: TO Molefe appraises I Am Not Your Negro, a year after its release
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…