Wamuwi Mbao reviews Avni Doshi’s Booker Prize-shortlisted novel Burnt Sugar. Burnt SugarAvni DoshiPenguin, 2020 The rather selfish belief that one’s…
The ten-novel shortlist for the 2020 International Dublin Literary Award has been revealed. The shortlist includes Milkman, the Booker Prize-winning…
Arja Salafranca reviews Mark Gevisser’s new book The Pink Line: Journeys Across the World’s Queer Frontiers. The Pink Line: Journeys…
The regional winners of the 2020 Commonwealth Short Story Prize, known as the world’s ‘most global literature prize’, have been…
The JRB presents an excerpt, in isiXhosa and English, from DDT Jabavu’s travelogue In India and East Africa / E-Indiya…
Internationally renowned Somali novelist Nuruddin Farah is known for his politically conscious writing, which led him into exile as a…
Header image: Top row, left to right: Anne Boyer (non-fiction), Julia Cho (drama), Aleshea Harris (drama), and Bhanu Kapil (poetry);…
As part of our January Conversation Issue, journalist and author Azad Essa is in conversation with his father Ebrahim Essa,…
Adekeye Adebajo addresses the once-unthinkable question ‘Was Gandhi a racist?’, as the 150th anniversary of his birth is celebrated. 1….
In his debut work of fiction, The Night of Broken Glass, Feroz Rather masterfully captures the peculiar, punctured lives of…
Arundhati Roy visited South Africa on a book tour recently, and sat down with The JRB to discuss her highly…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective…
Indian writer Arundhati Roy, in South Africa on a book tour, sat down with The JRB to discuss her books…
By recentering the narrative on Durban and Natal, rather than Johannesburg and the Transvaal, Jon Soske modifies the established account…
Pravasan Pillay’s new collection of short stories, Chatsworth, is a literary necessity, writes Francine Simon. Chatsworth Pravasan Pillay Dye Hard…
Achille Mbembe’s vision is a guide to the revolution that stands on the other side of revolution, writes Imraan Coovadia. Critique…
