To be human is to be capable of great love and truly awful behaviour—Wamuwi Mbao reviews Patsy by Nicole Dennis-Benn
A novel of feminist radicalism, readable in the best sense of the word—Wamuwi Mbao reviews Patsy by Nicole Dennis-Benn, who will be…
Tag: Reviews
Bearing witness to unusual childhoods of privilege under oppression—Panashe Chigumadzi reviews Township Girls: The Cross-Over Generation
A significant first step in documenting the life writing of black Zimbabwean women—The JRB Contributing Editor Panashe Chigumadzi reviews Township Girls:…
An exhilarating elegy for the slaves and storytellers of old—Lara Buxbaum reviews Patrick Chamoiseau’s wildly inventive novel The Old Slave and the Mastiff
Tracing the memory of bones, ‘a long thread of words that attempted to fulfil the universe’—Lara Buxbaum reviews The Old…
Writing queerness as mythology—Zanta Nkumane reviews Ocean Vuong’s debut novel, On Earth We’re Briefly Gorgeous
Zanta Nkumane reviews Ocean Vuong’s devastatingly beautiful debut On Earth We’re Briefly Gorgeous, a novel about living in the margins,…
‘Ace Magashule’s rise reveals the weakness of the centre’—Imraan Coovadia reviews Pieter-Louis Myburgh’s Gangster State
Imraan Coovadia reviews Pieter-Louis Myburgh’s new book, Gangster State: Unravelling Ace Magashule’s Web of Capture. Pieter-Louis Myburgh Gangster State: Unravelling…
A book written by a great writer who wants to be everything to everyone—Tymon Smith reviews Black Leopard, Red Wolf by Marlon James
Black Leopard, Red Wolf is a frustrating could’ve, would’ve, should’ve affair, although it may yet prove to be the beginning…
Scenes from a Marriage for the Beyhive generation—Wamuwi Mbao reviews Ordinary People by Diana Evans
Wamuwi Mbao reviews Diana Evans’s novel Ordinary People, which has been longlisted for the Rathbones Folio Prize and the Women’s Prize for Fiction….
‘Baldwin the symbol of black transgression and global black anger is simply peerless’—Bongani Madondo on If Beale Street Could Talk, the book and Oscar-winning film
James Baldwin’s novel of half a century ago, If Beale Street Could Talk, now reissued by Penguin Random House, was…
Illuminating a mighty poet and a total artist—Rustum Kozain reviews Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…
‘There is no comfort to be had in fiction. Our history is too raw for that’—Jacob Dlamini reviews Barry Gilder’s ‘brilliant, haunting’ novel The List
The List, the debut novel by former anti-apartheid activist and uMkhonto weSizwe member Barry Gilder, is a meditation about betrayal, faith,…
‘A story that skips along breezily, even as the body count rises’—Jennifer Malec reviews My Sister, the Serial Killer, the debut novel by Oyinkan Braithwaite
Contrary to what the title and pulpy cover seem to suggest, My Sister, the Serial Killer by Oyinkan Braithwaite is…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
[Temporary Sojourner] Efemia Chela reads Trifonia Melibea Obono’s La Bastarda, the first novel by an Equatoguinean woman to be translated into English
In La Bastarda we find a revolutionary piece of literature, where a young girl isn’t saved by her long-lost father,…
Transforming the real world into something strange—Wamuwi Mbao reviews Sally Rooney’s unusual and evanescent novel Normal People
Sally Rooney reshapes our understanding of the ordinary in a manner that invites us to imagine better ways of being,…
A seminal catalyst of African speculative fiction—Thando Njovane shares three thoughts on Nnedi Okorafor’s Who Fears Death
Constructed around a feminist, though dystopian, future, Nnedi Okorafor’s novel Who Fears Death—now reissued some eight years after its first…
What would happen if the super-rich spent all their money? Jennifer Malec reviews Patrick deWitt’s new novel, French Exit
It’s a strange time to be writing a comedy of manners about moneyed New Yorkers, but Patrick deWitt’s French Exit…
Nelson Mandela’s ‘new’ collection of prison dispatches signs his name across our hearts: Bongani Madondo reviews The Prison Letters of Nelson Mandela
Torn for so long between anxiety and awe at the idolisation of Nelson Mandela, The JRB Contributing Editor Bongani Madondo…
A curiously enthralling existentialist novel—Wamuwi Mbao reviews OK, Mr Field, the debut novel by South African poet Katharine Kilalea
OK, Mr Field, the debut novel by acclaimed South African poet Katharine Kilalea, is a pleasingly minimalist, idiosyncratic novel, writes…
A place where paradox lives and breathes—Francine Simon reviews Chatsworth, Pravasan Pillay’s debut short story collection
Pravasan Pillay’s new collection of short stories, Chatsworth, is a literary necessity, writes Francine Simon. Chatsworth Pravasan Pillay Dye Hard…
Emerging from Chinua Achebe’s shadow: Nigeria’s first generation of post-independence writers and the literary brotherhood of Umuahia
This July marks the sixtieth anniversary of the publication of Chinua Achebe’s seminal novel Things Fall Apart. Lebohang Mojapelo reviews…
Reading social reality in the writhing surface of the city—Wamuwi Mbao reviews Colson Whitehead’s The Colossus of New York
Colson Whitehead’s The Colossus of New York, reissued fourteen years after its first publication, endures in the quality of its writing and…
One of the decade’s most intriguing works of fiction: Wamuwi Mbao reviews Akwaeke Emezi’s debut novel Freshwater
Akwaeke Emezi’s Freshwater is a striking, startling, butterfly-net of a novel, writes Wamuwi Mbao.
[Temporary Sojourner] Efemia Chela reads Roland Rugero’s Baho!—the first Burundian novel to be translated into English
Ableism and the silent roar: The JRB Francophone and Contributing Editor Efemia Chela travels to Burundi with Roland Rugero’s novel Baho! in The…
A victorious coming-of age novel: Outlwile Tsipane reviews Olumide Popoola’s superb debut, When We Speak of Nothing
Olúmìdé Pópóọlá’s debut novel, When We Speak of Nothing, seems to indicate a blossoming of things to come, writes Outlwile…
[City Editor] The biography of a generation—Niq Mhlongo reviews Clinton Chauke’s Born in Chains: The Diary of an Angry ‘Born Free’
The JRB City Editor Niq Mhlongo reviews Clinton Chauke’s debut book, Born in Chains: The Diary of an Angry ‘Born Free’. Born…
How to write when the novel is dead: Jennifer Malec reviews Autumn and Winter—the first two books of Ali Smith’s seasonal quartet
Ali Smith’s seasonal quartet is a lesson in how to create novels that reflect the now in all its glory and…
In search of a better ending for Nkosazana Dlamini Zuma: Adekeye Adebajo reviews Woman in the Wings by Carien du Plessis
Adekeye Adebajo reviews Woman in the Wings by Carien du Plessis, offering concluding reflections on Agenda 2063, Nkosazana Dlamini Zuma’s dubious…
Happily-ever-after takes a dark turn: Wamuwi Mbao reviews Julian Barnes’s new novel, The Only Story
The Only Story is Julian Barnes’s thirteenth novel in a career spanning thirty-eight years, but his gift for turning grim…
Essays that edge towards poetry: Jennifer Malec reviews Zadie Smith’s new collection of non-fiction, Feel Free
Zadie Smith’s new collection of essays, Feel Free, is a too-rare pleasure, writes The JRB Editor Jennifer Malec. Not many…
‘English’s tendency to obliterate other languages does not apply here’—Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu
Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu, which was recently awarded a prestigious Windham-Campbell Prize for Fiction. Kintu Jennifer…
Those who migrate remake the places they arrive in: Wamuwi Mbao reviews Mohsin Hamid’s latest novel, Exit West
Mohsin Hamid’s new book, Exit West, is a work of speculative fiction that will be read as ‘The Great Migration…
Africanism and Afrofuturism: Imraan Coovadia considers Blackness, Black Panther and Achille Mbembe’s Critique of Black Reason
Achille Mbembe’s vision is a guide to the revolution that stands on the other side of revolution, writes Imraan Coovadia. Critique…
‘In looking behind us the way forward may become clear’—Perfect Hlongwane reviews The Land Is Ours by Tembeka Ngcukaitobi
The Land is Ours is Tembeka Ngcukaitobi’s first book, and it must not be his last, writes Perfect Hlongwane. The…
A novel that takes up Baldwin’s declaration that the story of America ‘is not a pretty one’: Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
A real-life Yemeni-American hero: Imraan Coovadia reviews Dave Eggers’s new book, The Monk of Mokha
The Monk of Mokha’s easygoing optimism glides over the prejudices and hatred that underdog minorities face in the United States,…
[Temporary Sojourner] Efemia Chela reads José Eduardo Agualusa’s Angolan War thought experiment, A General Theory of Oblivion
Luanda’s Shrödinger’s Woman: Efemia Chela travels to Angola with José Eduardo Agualusa’s A General Theory of Oblivion, which was shortlisted for…
[Temporary Sojourner] Efemia Chela reads The Ultimate Tragedy, the first novel from Guinea-Bissau ever to be translated into English
Efemia Chela travels to Guinea-Bissau with Abdulai Silá’s The Ultimate Tragedy in The JRB’s Temporary Sojourner series. The Ultimate Tragedy (A Última Tragédia)…
Ben Okri demonstrates the value of dreams in a ramshackle world: Wamuwi Mbao reviews The Magic Lamp
Wamuwi Mbao reviews The Magic Lamp, a new collection of meditations and stories by Ben Okri, illustrated by Rosemary Clunie. The…
A flawed take on immigration and the rise of the right: Lebohang Mojapelo reviews Sasha Polakow-Suransky’s Go Back to Where You Came From
Fear of a black planet, rather than ‘economic anxiety’, gnaws at the West’s hallowed liberal democratic principles, writes Lebohang Mojapelo….
Ta-Nehisi Coates is not the voice of black people: Kibo Ngowi considers the cult of intersectionality
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…