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‘Hauntingly engaging’ – Thandiwe Ntshinga, The South African ‘Crisp, experimental and beautifully weird’ – Phumlani S Langa, City Press Pan…
‘Hauntingly engaging’ – Thandiwe Ntshinga, The South African ‘Crisp, experimental and beautifully weird’ – Phumlani S Langa, City Press Pan…
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
The JRB presents a new short story by Mbali Sikakana. Intimates One day she takes a plane to a small…
Like Sodium in Water: A Memoir of Home and Heartache by Hayden Eastwood is out in March from Jonathan Ball Publishers. ‘Dad…
The Johannesburg Review of Books presents previously unpublished poetry by Mikael Johani. chapel hill stuck a pin in…
The Monk of Mokha’s easygoing optimism glides over the prejudices and hatred that underdog minorities face in the United States,…
Penguin Random House has shared an excerpt from The Chalk Man, the new novel by CJ Tudor. Expertly alternating between flashbacks…
Luanda’s Shrödinger’s Woman: Efemia Chela travels to Angola with José Eduardo Agualusa’s A General Theory of Oblivion, which was shortlisted for…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective…
‘I cannot un-white my voice, nor can I stop writing.’ Poet, academic and author Antjie Krog interviews Karin Schimke about…
Homesoil in My Blood: A Trilogy Keorapetse Kgositsile Xarra Books, 2018 Exclusive to The JRB, we present author Mandla Langa’s…
Tiah Beautement chats to Philippa Namutebi Kabali-Kagwa about her poetry and prose memoir, Flame and Song, which traverses Uganda, Addis…
Margie Orford, President Emerita of PEN South Africa and board member of PEN International, on the PEN International Women’s Manifesto,…
French President Emmanuel Macron has made his support of the French language, Francophonie and the French-speaking world (especially the African…
Words without Borders’s issue dedicated to Tunisian women writers got lost in the flurry of the end of 2017, with…
The JRB presents an excerpt from Ramaphosa: The Man Who Would Be King by Ray Hartley. Ramaphosa: The Man Who…
Image: A scene from ‘Inxeba’. Supplied Wamuwi Mbao, Stellenbosch University Why has a film that holds important lessons for South Africans…
Thirty-eight Nobel laureates have written an open letter to Turkish President Recep Tayyip Erdoğan, to draw his attention to damage…
The Caine Prize for African Writing has announced that director Lizzy Attree is leaving the organisation. Attree has served as director…
The Africa Centre has announced the shortlists for the 2017 Artists In Residency programmes, including The JRB Contributing Editor Efemia Chela. The…
Welcome to the second issue of Volume 2 of The Johannesburg Review of Books. This month, we are excited and…
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…
Pan Macmillan South Africa has shared an excerpt from The Knock on the Door: The Story of the Detainees’ Parents Support…
The JRB is proud to present new fiction from our City Editor, Niq Mhlongo, from his forthcoming short story collection,…
Efemia Chela travels to Guinea-Bissau with Abdulai Silá’s The Ultimate Tragedy in The JRB’s Temporary Sojourner series. The Ultimate Tragedy (A Última Tragédia)…
A Long Way From Home, the new book from award-winning author Peter Carey, is out soon from Jonathan Ball Publishers….
An exhibition of JM Coetzee’s newly discovered childhood photography was recently held in Cape Town. Wamuwi Mbao was there. With…
Rehana Rossouw’s critically acclaimed debut novel, What Will People Say?, was shortlisted for the 2015 Etisalat Prize for Literature, and won…
Brazil and Mozambique: Forging New Partnerships or Developing Dependency?, by Chris Alden, Sergio Chichava and Ana Cristina Alves, is out now from Jacana…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective…
Read an excerpt from Marcus Low’s debut novel Asylum—an existential thriller set in a quarantine facility in the arid Karoo—which…
White Chrysanthemum, the powerful and moving debut novel by Mary Lynn Bracht, is out now from Penguin Random House South Africa. In…
The JRB presents a new short story by Stacy Hardy. The day the white people walked into the sea As…
The Johannesburg Review of Books presents three poems by Shailja Patel. Syllabus Note O leftist men who heart critiques of Hillary and…
Wamuwi Mbao reviews The Magic Lamp, a new collection of meditations and stories by Ben Okri, illustrated by Rosemary Clunie. The…
Second-wave feminism, mansplained: Diane Awerbuck finds much to disappoint in Stephen and Owen King’s Sleeping Beauties. Sleeping Beauties Stephen King…
Fear of a black planet, rather than ‘economic anxiety’, gnaws at the West’s hallowed liberal democratic principles, writes Lebohang Mojapelo….
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
Two men are talking in a smoke-filled room. On the carved table in the middle of the sitting room is…
« Et ta bouche est une syllabe mûre que seule l’empreinte des mots d’amour » Whether you have a valentine…