The JRB is proud to present an exclusive excerpt from the graphic novel An Eternity in Tangiers, by Ivorian illustrator…
Comment sauver son enfant d’une mort certaine ? Faut-il, comme le croit le père de l’auteur, faire confiance à l’école…
Since the publication of City Editor Niq Mhlongo’s latest work of short stories, Soweto, Under the Apricot Tree, it has…
This is an edited version of a letter The JRB received, from Christine Chiosi, in response to the essay by…
The 2018 Sunday Times Literary Awards longlists have been announced! The awards celebrate ‘the best of South African non-fiction and…
The 2018 Sunday Times Literary Awards longlists have been announced! The awards celebrate ‘the best of South African non-fiction and…
Winnie Madikizela-Mandela has died in Johannesburg at the age of eighty-one. Read an excerpt from her prison journal, published in 2013,…
Nomzamo Winifred Zanyiwe Madikizela-Mandela, the iconic, controversial South African activist known as ‘the Mother of the Nation’ and, more simply, as…
Lizzy Attree has joined the board of Short Story Day Africa. Attree stepped down as the director of the Caine Prize for…
Queer Africa 2: New Stories, a short story collection edited by The JRB Patron Makhosazana Xaba and Karen Martin, has…
Welcome to the third issue of Volume 2 of The Johannesburg Review of Books. In our March 2018 edition, hot…
The Land is Ours is Tembeka Ngcukaitobi’s first book, and it must not be his last, writes Perfect Hlongwane. The…
The JRB is proud to present an exclusive excerpt from Nthikeng Mohlele’s new novel, Michael K. Michael K Nthikeng Mohlele Picador…
The JRB Editor Jennifer Malec chatted to City Editor Niq Mhlongo about the banning of Inxeba, writing to music, and his brand…
The JRB presents a new short story by Mbali Sikakana. Intimates One day she takes a plane to a small…
The Monk of Mokha’s easygoing optimism glides over the prejudices and hatred that underdog minorities face in the United States,…
Luanda’s Shrödinger’s Woman: Efemia Chela travels to Angola with José Eduardo Agualusa’s A General Theory of Oblivion, which was shortlisted for…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective…
‘I cannot un-white my voice, nor can I stop writing.’ Poet, academic and author Antjie Krog interviews Karin Schimke about…
Homesoil in My Blood: A Trilogy Keorapetse Kgositsile Xarra Books, 2018 Exclusive to The JRB, we present author Mandla Langa’s…
Tiah Beautement chats to Philippa Namutebi Kabali-Kagwa about her poetry and prose memoir, Flame and Song, which traverses Uganda, Addis…
Margie Orford, President Emerita of PEN South Africa and board member of PEN International, on the PEN International Women’s Manifesto,…
French President Emmanuel Macron has made his support of the French language, Francophonie and the French-speaking world (especially the African…
Words without Borders’s issue dedicated to Tunisian women writers got lost in the flurry of the end of 2017, with…
The JRB presents an excerpt from Ramaphosa: The Man Who Would Be King by Ray Hartley. Ramaphosa: The Man Who…
Image: A scene from ‘Inxeba’. Supplied Wamuwi Mbao, Stellenbosch University Why has a film that holds important lessons for South Africans…
The Caine Prize for African Writing has announced that director Lizzy Attree is leaving the organisation. Attree has served as director…
The Africa Centre has announced the shortlists for the 2017 Artists In Residency programmes, including The JRB Contributing Editor Efemia Chela. The…
Welcome to the second issue of Volume 2 of The Johannesburg Review of Books. This month, we are excited and…
The JRB is proud to present new fiction from our City Editor, Niq Mhlongo, from his forthcoming short story collection,…
Efemia Chela travels to Guinea-Bissau with Abdulai Silá’s The Ultimate Tragedy in The JRB’s Temporary Sojourner series. The Ultimate Tragedy (A Última Tragédia)…
An exhibition of JM Coetzee’s newly discovered childhood photography was recently held in Cape Town. Wamuwi Mbao was there. With…
Rehana Rossouw’s critically acclaimed debut novel, What Will People Say?, was shortlisted for the 2015 Etisalat Prize for Literature, and won…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective…
Read an excerpt from Marcus Low’s debut novel Asylum—an existential thriller set in a quarantine facility in the arid Karoo—which…
The JRB presents a new short story by Stacy Hardy. The day the white people walked into the sea As…
The Johannesburg Review of Books presents three poems by Shailja Patel. Syllabus Note O leftist men who heart critiques of Hillary and…
Wamuwi Mbao reviews The Magic Lamp, a new collection of meditations and stories by Ben Okri, illustrated by Rosemary Clunie. The…
Fear of a black planet, rather than ‘economic anxiety’, gnaws at the West’s hallowed liberal democratic principles, writes Lebohang Mojapelo….
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
