Read an excerpt from a new edition of Alex La Guma’s A Soviet Journey, including the Foreword by Ngũgĩ wa Thiong’o
The JRB presents an excerpt from a new edition of A Soviet Journey by Alex La Guma: A Critical Annotated…
Tag: Ngũgĩ wa Thiong’o
‘Powerful drama fused with its cerebral yet emotional writing’—Read Njabulo S Ndebele’s Foreword to the 60th anniversary edition of William ‘Bloke’ Modisane’s Blame Me on History
The JRB presents Njabulo S Ndebele’s Foreword to the new sixtieth-anniversary edition of William ‘Bloke’ Modisane’s Blame Me on History….
Creating interventionist ways of reading—Read an excerpt from Reading From the South: African Print Cultures and Oceanic Turns in Isabel Hofmeyr’s Work
The JRB presents an excerpt from Reading From the South: African Print Cultures and Oceanic Turns in Isabel Hofmeyr’s Work….
A decolonisation that dare not speak its name—George Hull reviews Olúfẹ́mi Táíwò’s Against Decolonisation: Taking African Agency Seriously
George Hull reviews Against Decolonisation: Taking African Agency Seriously by Olúfẹ́mi Táíwò. Against Decolonisation: Taking African Agency SeriouslyOlúfẹ́mi TáíwòHurst &…
‘Writing is open to everyone, regardless of their background or where they’re from’—An interview with Eswatini’s first Commonwealth Short Story Prize winner Ntsika Kota
The JRB Editor Jennifer Malec chatted to Ntsika Kota, winner of the 2022 Commonwealth Short Story Prize for his story, ‘and the…
Tales from Mombasa—Carey Baraka speaks to Khadija Abdalla Bajaber about her award-winning debut novel, The House of Rust
Carey Baraka reviews The House of Rust, the latest tale from Mombasa, land of fables, and chats to its author,…
Read an excerpt from ‘Dinner with Dambudzo’ by Nthikeng Mohlele, from his new short story collection The Discovery of Love
The JRB presents an excerpt from The Discovery of Love, the new collection of short stories from Nthikeng Mohlele. The…
A Tale of Two Continents—Adekeye Adebajo unpacks Dickens in Africa
For reasons technical, historical and—above all—thematic, Dickens is writ large in African literature, writes Adekeye Adebajo. As we approach the…
[The JRB Daily] 2021 International Booker Prize longlist announced—Ngũgĩ wa Thiong’o becomes first person to be nominated as both author and translator
The thirteen novels longlisted for the 2021 International Booker Prize have been revealed. Ngũgĩ wa Thiong’o has made history this…
[The JRB Daily] ‘To be truly powerful is to have your own voice and tell your own story’—Read Zukiswa Wanner’s ‘career-defining’ Time of the Writer keynote address
The author, activist, founder of Afrolit Sans Frontieres and Goethe Medal winner Zukiswa Wanner gave the keynote address at the…
Intimations of an ending—Carey Baraka on the unspoken demise of Kwani?, and the death of a dream
‘Still, there were dreams, and there were dreamers.’ Carey Baraka attempts to gather together the stories of Kwani? 1. One…
‘The majority of writers in Africa, of us, confine ourselves, rather than having great ambition’—An interview with Nuruddin Farah, by Lebohang Mojapelo
Internationally renowned Somali novelist Nuruddin Farah is known for his politically conscious writing, which led him into exile as a…
Tyranny of place, tyranny of time: Remembering Es’kia Mphahlele in his centenary year, by Mmatshilo Motsei
Mmatshilo Motsei pays tribute to Es’kia Mphahlele, one hundred years after his birth. I first encountered Es’kia Mphahlele when, in…
Tribute to Sibusiso Nyembezi, a literary and cultural giant, in his centenary year, by Sandile Ngidi
Sandile Ngidi reflects on the life and work of Zulu novelist, poet, scholar, teacher and editor Sibusiso Nyembezi (1919–2000). In…
‘A millennial Kenya we’ve never seen in fiction before’—Read an excerpt from The Cape Cod Bicycle War and Other Stories by Billy Kahora
The JRB presents an excerpt from The Cape Cod Bicycle War and Other Stories, the much-anticipated new book by Billy…
Read ‘What Does It Mean To Be African?’ by Afua Hirsch, from the new anthology New Daughters of Africa
In celebration of Women’s Month, The JRB presents a series of excerpts from New Daughters of Africa. Edited by Margaret…
[City Editor] Niq Mhlongo laments the caprice—and celebrates the excitement—of literary awards, and shares his own bittersweet experience
City Editor Niq Mhlongo, having just won his first South African prize, shares his gripes and observations on that strange…
Showcasing African literature’s contribution to decolonisation—Lebohang Mojapelo reviews Ngũgĩ: Reflections on His Life of Writing
Lebohang Mojapelo reviews Ngũgĩ: Reflections on His Life of Writing, a collection of essays that reflects on the life and work of Ngũgĩ…
Maryse Condé receives The New Academy Prize in Literature, aka the ‘Alternative Nobel’
On 12 October, Maryse Condé was announced as the winner of the New Academy Prize in Literature, an award created…
‘Authors in the West don’t worry about whether Africa will understand them’—Jennifer Nansubuga Makumbi discusses Kintu at Wits
Ugandan author Jennifer Nansubuga Makumbi visited Wits University in August, for a discussion around her debut novel, Kintu. Kintu Jennifer…
Nelson Mandela’s ‘new’ collection of prison dispatches signs his name across our hearts: Bongani Madondo reviews The Prison Letters of Nelson Mandela
Torn for so long between anxiety and awe at the idolisation of Nelson Mandela, The JRB Contributing Editor Bongani Madondo…
‘Language switching is the norm in Kenya; I just wrote the way we speak’—Makena Onjerika chats to The JRB about her Caine Prize success
2018 Caine Prize for African Writing winner Makena Onjerika chatted to The JRB Editor Jennifer Malec about her plans to…
[City Editor] Borders and books—Niq Mhlongo travels to Nairobi with ninety of his novels
Before I leave Johannesburg for Nairobi, Kenya, my friend and fellow author Zukiswa Wanner warns me not to bring more…
Pede Hollist chats to James Murua about his book So the Path Does Not Die and the ‘vibrant’ Sierra Leonean literary scene
Sierra Leonean writer and 2013 Caine Prize shortlistee Pede Hollist was at the Goethe-Institut in Nairobi in May to kick…
[The JRB Daily] ‘None But Ourselves’—Percy Zvomuya charts the sonic cartography of a revolution in the new Chimurenga Chronic: ‘The Invention of Zimbabwe’
Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…
‘English’s tendency to obliterate other languages does not apply here’—Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu
Bwesigye bwa Mwesigire reviews Jennifer Nansubuga Makumbi’s Kintu, which was recently awarded a prestigious Windham-Campbell Prize for Fiction. Kintu Jennifer…
‘Speaking Shona was associated with humiliation’: Petina Gappah on the influence, on her writing, of Ngũgĩ wa Thiong’o’s Decolonising the Mind
Exclusive to The JRB, a new essay by Petina Gappah on the influence of Ngũgĩ wa Thiong’o’s work on her…
[The JRB Daily] Kazuo Ishiguro wins the Nobel Prize in Literature
English author Kazuo Ishiguro has won the Nobel Prize in Literature. The announcement was made by the Swedish Academy this…
[The JRB Daily] Ngũgĩ wa Thiong’o is the favourite to win the Nobel Prize in Literature—again
Ngũgĩ wa Thiong’o is odds-on favourite to win the Nobel Prize in Literature this week. The JRB’s Editor Jennifer Malec…