[Conversation Issue] A palate cleanser in JM Coetzee’s playful late style—Wamuwi Mbao reviews The Pole and Other Stories
JM Coetzee’s late style has often been indifferently received, but The Pole is a beautifully elegant story, writes Wamuwi Mbao,…
Tag: JM Coetzee
Creating interventionist ways of reading—Read an excerpt from Reading From the South: African Print Cultures and Oceanic Turns in Isabel Hofmeyr’s Work
The JRB presents an excerpt from Reading From the South: African Print Cultures and Oceanic Turns in Isabel Hofmeyr’s Work….
A much needed corrective to the literary canon’s rural bias—Timothy Wright reviews Claiming the City in South African Literature by Meg Samuelson
Timothy Wright reviews Meg Samuelson’s new book, Claiming the City in South African Literature, which argues that only through writing…
How to write like a white person—Ben Williams presents notes towards a framework for reading white fiction’s ‘literature of success’
In the context of increasing scrutiny on the literary production of white writers, Ben Williams offers up some ideas on…
‘Most of the stories have been told by now, it’s just the ways of telling that are new’—Damon Galgut talks with Mark Gevisser about his new novel, The Promise
Damon Galgut was in conversation with Mark Gevisser recently for the launch of his latest novel, The Promise. This is…
JM Coetzee’s ‘late style’—Angelo Fick reviews The Death of Jesus, the ‘masterful, spare and beautiful’ final book of the Jesus trilogy
There are no easy answers in JM Coetzee’s new novel The Death of Jesus, but the exploration is part of…
JM Coetzee celebrates his 80th birthday in Makhanda—festivities offer a glimpse into the life of John Coetzee, the man, who engenders JM Coetzee, the writer
To honour JM Coetzee’s eightieth birthday on 9 February 2020, an exhibition celebrating his life and work titled Scenes from…
‘I am quite normal. I just wonder what JM Coetzee would taste like, slow-roasted, with tarragon.’—Read ‘The man who would be eaten’ by Rustum Kozain
The following piece was written in 2006, since when it has been languishing on the author’s blog. It was revived…
[The JRB exclusive] ‘This is not a game of football, it is a slaughter of the innocents!’—Read an excerpt from JM Coetzee’s new novel The Death of Jesus
The JRB presents, exclusively in South Africa, an excerpt from The Death of Jesus, the newly published final novel of…
‘Among the most gifted writers currently at work’—Patrick Flanery reviews The Troubled Times of Magrieta Prinsloo by Ingrid Winterbach
The Troubled Times of Magrieta Prinsloo by Ingrid Winterbach offers us one of the most chilling and fearless portraits of…
‘We have entered the uncanny valley of literary realism’—Simon van Schalkwyk reviews Ian McEwan’s new novel Machines Like Me
In Machines Like Me, Ian McEwan appears to have offered us an alternative history that leads to the same dispiriting…
[Conversation Issue] ‘Intersectionality seems so blindingly obvious a notion’—Zoë Wicomb in conversation with Andrew van der Vlies, from their new book Race, Nation, Translation
As part of our January Conversation Issue, we present an excerpted interview from a new collection of Zoë Wicomb’s writing, Race,…
[Fiction issue] Johannesburg’s ‘is a beauty that is heard as much as it is felt’—Read an excerpt from Nthikeng Mohlele’s forthcoming novel, Illumination
The JRB presents an exclusive excerpt from Nthikeng Mohlele’s new novel, Illumination, and a short interview with the author. Mohlele,…
Where’s Mzansi noir?—Wamuwi Mbao laments the lack of dark and moody South African television adaptations
Wamuwi Mbao imagines a serial adaptation of Angela Makholwa’s Black Widow Society, a sleekly executed interpretation of HJ Golakai’s The Lazarus…
‘Utterly mysterious, and utterly worthy of our attention’—Wamuwi Mbao reviews Asymmetry, the debut novel by Lisa Halliday
Lisa Halliday’s debut Asymmetry is a genuinely surprising novel, which invites us to question how men and women are rendered in…
A kaleidoscopic novel of radiant beauty—Bongani Kona reviews the new English translation of Ondjaki’s Transparent City
In Transparent City, Ondjaki writes Angola not as an insignificant place in the margins of history but as if it…
‘Being in South Africa as an author has shifted my perspective’—Zinzi Clemmons chats to The JRB about her debut novel, What We Lose
Zinzi Clemmons was in South Africa recently on a book tour for her debut novel, What We Lose. She sat…
Happily-ever-after takes a dark turn: Wamuwi Mbao reviews Julian Barnes’s new novel, The Only Story
The Only Story is Julian Barnes’s thirteenth novel in a career spanning thirty-eight years, but his gift for turning grim…
Letter: Christine Chiosi on the ‘discomfort’ and ‘estrangement’ of Wamuwi Mbao’s report from an exhibition of JM Coetzee’s boyhood photographs
This is an edited version of a letter The JRB received, from Christine Chiosi, in response to the essay by…
‘What does the K in your name stand for?’ Read an excerpt from Nthikeng Mohlele’s new novel, Michael K
The JRB is proud to present an exclusive excerpt from Nthikeng Mohlele’s new novel, Michael K. Michael K Nthikeng Mohlele Picador…
[The JRB Daily] Thirty-eight Nobel laureates, including JM Coetzee, Kazuo Ishiguro and Wole Soyinka, write open letter to Turkey’s President Erdoğan over threats to freedom of expression
Thirty-eight Nobel laureates have written an open letter to Turkish President Recep Tayyip Erdoğan, to draw his attention to damage…
JM Coetzee is tired: Wamuwi Mbao reports from the ‘Photographs from Boyhood’ exhibition in Cape Town
An exhibition of JM Coetzee’s newly discovered childhood photography was recently held in Cape Town. Wamuwi Mbao was there. With…
‘I don’t believe in showing off’: Nthikeng Mohlele chats about his award-winning novel Pleasure and future artistic pursuits
Nthikeng Mohlele’s Pleasure was recently longlisted for the International Dublin Literary Award—this after winning two major South Africa literary prizes in 2017. The…
‘I was interested in being present at the moment when truth revealed itself’—JM Coetzee’s childhood photography
Childhood photographs by JM Coetzee are currently on exhibition at the Irma Stern Gallery in Cape Town. The exhibition, titled…
Beware of angels and other executives of perfection: Wamuwi Mbao appraises JM Coetzee’s Late Essays
Like watching JM Coetzee solve a series of Rubik’s cubes, only more entertaining: Wamuwi Mbao reviews Late Essays: 2006–2017. Late Essays: 2006–2017…
Translation as nuclear arms race: David van Schoor reviews Sarah Ruden’s bold interpretation of Augustine’s Confessions
David van Schoor reviews Sarah Ruden’s bold new translation of Augustine’s Confessions. Confessions Sarah Ruden Modern Library, 2017 1. Sine…
[The JRB Daily] Open call for applications for the Malba Writers Residency in Buenos Aires
Open call REM—Malba Writers Residence Annual application: From 5 October to 5 December, 2017 Residences: April-May; September-October, 2018 The Literature…
[The JRB Daily] Kazuo Ishiguro wins the Nobel Prize in Literature
English author Kazuo Ishiguro has won the Nobel Prize in Literature. The announcement was made by the Swedish Academy this…
[The JRB Daily] Ngũgĩ wa Thiong’o is the favourite to win the Nobel Prize in Literature—again
Ngũgĩ wa Thiong’o is odds-on favourite to win the Nobel Prize in Literature this week. The JRB’s Editor Jennifer Malec…
Professional writers need to be professional readers: Jennifer Malec chats to Ayọ̀bámi Adébáyọ̀ about her debut novel, Stay With Me
Jennifer Malec sat down with Ayọ̀bámi Adébáyọ̀ at the recent Open Book Festival in Cape Town to talk about her…
[The JRB Daily] JM Coetzee reads a new story, ‘The Glass Abattoir’, and announces a new book to feature Elizabeth Costello
As part of the programme for an international congress on ‘The work of John Maxwell Coetzee in Latin America’, JM…
Rights of Conquest, Rights of Desire: Panashe Chigumadzi considers the black female body through a return to JM Coetzee’s Disgrace
This is an an edited excerpt of a longer essay appearing in Panashe Chigumadzi’s forthcoming book, provisionally titled Beautiful Hair…
Salman Rushdie’s finest writing in many years: CA Davids reviews The Golden House
Despite a tone of hopelessness, Salman Rushdie’s latest novel The Golden House carries majesty, from its prose to its world-weary gaze….