On identity, poetry, diaspora and Afropessimism—Kweku Abimbola in conversation with Sreddy Yen
Gambia-born poet Kweku Abimbola, whose award-winning first collection of poetry Saltwater Demands a Psalm was published by Graywolf Press in…
Gambia-born poet Kweku Abimbola, whose award-winning first collection of poetry Saltwater Demands a Psalm was published by Graywolf Press in…
The JRB presents an excerpt from Uhuru Portia Phalafala’s new book, Keorapetse Kgositsile and the Black Arts Movement. Keorapetse Kgositsile…
Kim M Reynolds considers the historical and the personal in Uhuru Portia Phalafala’s new book Mine Mine Mine, in discussion…
Eye Brother Horn by Bridget Pitt is a South African novel immersed in our oral culture and traditions, writes Mphuthumi…
This month marks the fiftieth anniversary of the Chimukwembe demonstration, aka the ‘Pots and Pans Protest’, a student uprising in…
Through the fog of pseudoephedrine, codeine, paracetamol and all the other drugs familiar to sufferers of the dreaded, predictable and…
George Hull reviews Against Decolonisation: Taking African Agency Seriously by Olúfẹ́mi Táíwò. Against Decolonisation: Taking African Agency SeriouslyOlúfẹ́mi TáíwòHurst &…
Set in early twentieth-century Zimbabwe, Chinongwa follows the life of a young girl forced into child marriage with a much…
Carina Venter reviews Paula Fourie’s Mr Entertainment: The Story of Taliep Petersen, finding a life that encompasses a country and…
The JRB Editor Jennifer Malec speaks to Siphiwe Gloria Ndlovu about casting spells, writing with empathy, and winning one of…
The JRB presents an excerpt from Yara Nakahanda Monteiro’s novel Loose Ties, translated from the Portuguese by Sandy Tamele, which…
The JRB presents an updated version of an essay first published in Jim Pascual Agustin’s book of poems Bloodred Dragonflies:…
The JRB presents an excerpt from Many Black Women of this Fortress: Graça, Mónica and Adwoa, Three Enslaved Women of…
Christopher McMichael sat down with mpho ndaba to discuss violent policing, its historical origins, and his new book Shoot to…
When I read Africa is Not A Country: Breaking Stereotypes of Modern Africa by Dipo Faloyin, I was overcome with…
The JRB presents an excerpt from ‘What’s in a name?’ Xolani S Ngazimbi’s essay from Racism, Violence, Betrayals and New…
Carey Baraka reviews The House of Rust, the latest tale from Mombasa, land of fables, and chats to its author,…
Lebohang Mojapelo interviews Wole Soyinka on his new novel. Chronicles From the Land of the Happiest People on EarthWole SoyinkaBloomsbury,…
The JRB presents an edited excerpt from the Introduction to The Pan-African Pantheon: Prophets, Poets and Philosophers by Adekeye Adebajo….
The JRB presents an excerpt from Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi. Dear Senthuran: A Black Spirit…
Karen Jennings was recently longlisted for the Booker Prize, for her novel An Island. Here she chats to The JRB…
In the context of increasing scrutiny on the literary production of white writers, Ben Williams offers up some ideas on…
The JRB presents an excerpt from António Tomás’s new book Amílcar Cabral: The Life of a Reluctant Nationalist. Amílcar Cabral:…
For reasons technical, historical and—above all—thematic, Dickens is writ large in African literature, writes Adekeye Adebajo. As we approach the…
Femi Kayode chatted to The JRB Editor Jennifer Malec about being ‘other’ in your home country, the nature of evil, and his…
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…
As part of our January Conversation Issue, The JRB Publisher Ben Williams chats to Cheryl Lu-Lien Tan about her debut…
Adekeye Adebajo addresses the once-unthinkable question ‘Was Gandhi a racist?’, as the 150th anniversary of his birth is celebrated. 1….
Moshibudi Motimele reflects on the publication of Our Words, Our Worlds: Writing on Black South African Women Poets, 2000–2018, a…
The JRB Contributing Editor Panashe Chigumadzi presents a new reading of the work, career and life of Dorothy Masuka, arguing that…
The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…
Wamuwi Mbao chats to Namwali Serpell about her debut novel, The Old Drift. Namwali Serpell The Old Drift Penguin Random…
As part of our January Conversation Issue, Mbali Sikakana contemplates the significance of Chimamanda Ngozi Adichie’s recent discussion with Pumla…
The JRB’s Poetry Editor Rustum Kozain was in conversation with PR Anderson at the launch of Anderson’s new book, In…
A giant of black feminist writing and thought, Maryse Condé was recently awarded the New Academy Prize in Literature, a…
The JRB presents ‘Afrofuturism: Ayashis’ Amateki’, an essay by Mohale Mashigo, which serves as the preface to her new collection…
The story told in The Lost Boys of Bird Island warps South Africa’s history beyond the nightmares of colonialism and apartheid,…
In Transparent City, Ondjaki writes Angola not as an insignificant place in the margins of history but as if it…
Ugandan author Jennifer Nansubuga Makumbi visited Wits University in August, for a discussion around her debut novel, Kintu. Kintu Jennifer…
Jennifer Nansubuga Makumbi is in South Africa in August to discuss her lauded debut novel, Kintu. She spoke to CA…