Remembering Myesha Jenkins, a revolutionary in politics, poetry and jazz, by Christa Kuljian and Makhosazana Xaba
By Christa Kuljian and Makhosazana Xaba Transformation Who I was is not who I am.And who I amis not who I…
By Christa Kuljian and Makhosazana Xaba Transformation Who I was is not who I am.And who I amis not who I…
The abolition of slavery, formalised gender discrimination, apartheid and other reprehensible ways of being did not occur simply through continued…
Toni Giselle Stuart reviews Gabeba Baderoon’s poetry collection The History of Intimacy, which won the 2019 University of Johannesburg Main…
Vonani Bila considers KwaNobuhle Overcast, the latest book of poetry from Ayanda Billie, who won a South African Literary Award…
Adekeye Adebajo addresses the once-unthinkable question ‘Was Gandhi a racist?’, as the 150th anniversary of his birth is celebrated. 1….
The following is an edited excerpt from a work in progress by American author Adam Smyer, whose debut novel, Knucklehead,…
Moshibudi Motimele reflects on the publication of Our Words, Our Worlds: Writing on Black South African Women Poets, 2000–2018, a…
Read an excerpt from Black Tax: Burden or Ubuntu, a new collection of essays edited by City Editor Niq Mhlongo….
Siphiwe Gloria Ndlovu, author of The Theory of Flight, sat down with Masande Ntshanga to discuss his new novel, Triangulum….
The cover image for the April 2019 issue of The JRB is by Gideon Mendel, from his new exhibition ‘Damage’. Born…
Header image: Book cover (left); and Sobukwe, inside the grounds of Orlando Police Station, awaiting arrest, on the morning of 21…
Eben Venter presented the world debut of his first visual exhibition, ‘Translate Yourself’, at the February Lectures conference at the…
The List, the debut novel by former anti-apartheid activist and uMkhonto weSizwe member Barry Gilder, is a meditation about betrayal, faith,…
The JRB presents an excerpt from Vintage Love and Other Essays by Jolyon Nuttall. Vintage Love Jolyon Nuttall Jacana Media, 2018 …
The JRB presents an excerpt from Stones Against the Mirror, the memoir of journalist, author and anti-apartheid activist Hugh Lewin,…
As part of our January Conversation Issue, read Amatesiro Dore’s Letter to a Young Queer Intellectual. How far, I’ve been…
The JRB presents an excerpt from South African Gothic: Anxiety and Creative Dissent in the Post-apartheid Imagination and Beyond by…
The JRB presents ‘Afrofuturism: Ayashis’ Amateki’, an essay by Mohale Mashigo, which serves as the preface to her new collection…
The story told in The Lost Boys of Bird Island warps South Africa’s history beyond the nightmares of colonialism and apartheid,…
In Transparent City, Ondjaki writes Angola not as an insignificant place in the margins of history but as if it…
Craig Higginson’s sixth novel, The White Room, was published by Picador Africa in August. He chatted to The JRB Editor Jennifer Malec about…
Ugandan author Jennifer Nansubuga Makumbi visited Wits University in August, for a discussion around her debut novel, Kintu. Kintu Jennifer…
By recentering the narrative on Durban and Natal, rather than Johannesburg and the Transvaal, Jon Soske modifies the established account…
The Land is Ours is Tembeka Ngcukaitobi’s first book, and it must not be his last, writes Perfect Hlongwane. The…
As part of our January Conversation Issue, Ben Williams talks to Jonathan Franzen. Purity Jonathan Franzen Fourth Estate, 2016 American…
The New York Review of Books has featured an article by Panashe Chigumadzi, titled ‘Soap and South Africa’s “Fatal Intimacy”‘….
The Art of Life in South Africa Dan Magaziner UKZN Press, 2017 Main image: Ndaleni group shot, late 1970s, Ndaleni…