On identity, poetry, diaspora and Afropessimism—Kweku Abimbola in conversation with Sreddy Yen
Gambia-born poet Kweku Abimbola, whose award-winning first collection of poetry Saltwater Demands a Psalm was published by Graywolf Press in…
Tag: WEB Du Bois
‘I was constantly weaving fact and fiction, and blurring truth with fable’—CA Davids chats to Efemia Chela about her new novel How to Be a Revolutionary
Contributing Editor Efemia Chela speaks to CA Davids about her new novel, How to Be a Revolutionary. How to Be a RevolutionaryCA…
Understanding Pan-Africanist struggles for global slavery and colonialism reparations, by Adekeye Adebajo
The JRB presents an edited excerpt from the Introduction to The Pan-African Pantheon: Prophets, Poets and Philosophers by Adekeye Adebajo….
Of fear and motherly love—Rofhiwa Maneta reviews Imani Perry’s memoir Breathe: A Letter to My Sons
Imani Perry’s Breathe is a memoir committed to the radical hope that sees Black boys as more than problems to…
‘Thinking while black’—Read Grace A Musila’s essay from the award-winning book Black Academic Voices: The South African Experience
‘How do we craft a healthy, dignified blackness, in a world where blackness is a captured identity location that needs…
‘To know the African wild was to know the African subject’—What training as a field guide taught Jacob Dlamini about culture, nature, power and race
The JRB presents a new essay by Jacob Dlamini. For Dlamini, what began as a research project on the labour…
A kaleidoscopic novel of radiant beauty—Bongani Kona reviews the new English translation of Ondjaki’s Transparent City
In Transparent City, Ondjaki writes Angola not as an insignificant place in the margins of history but as if it…
‘In looking behind us the way forward may become clear’—Perfect Hlongwane reviews The Land Is Ours by Tembeka Ngcukaitobi
The Land is Ours is Tembeka Ngcukaitobi’s first book, and it must not be his last, writes Perfect Hlongwane. The…
Ta-Nehisi Coates is not the voice of black people: Kibo Ngowi considers the cult of intersectionality
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
Making space for women in South Africa’s political memory, or, the case of the non-intersection of Pixley ka Seme and Charlotte Maxeke Streets
Recently published biographies of Pixley ka Seme and Charlotte Maxeke reveal how women’s histories become insignificant back roads in the…
James Baldwin in Rhodesia: Percy Zvomuya picks out a thread from the forgotten war book Black Fire!
In the late nineteen-seventies, James Baldwin encountered an ‘extraordinary and illuminating’ Rhodesian book, which influenced his thought around black rage…