Fiction

A depth charge aimed at the submerged wreckage of slavery—Wamuwi Mbao reviews The Water Dancer, the debut novel by acclaimed writer Ta-Nehisi Coates

Between Baldwin, the world and the Old South—Wamuwi Mbao reviews The Water Dancer by Ta-Nehisi Coates. The Water DancerTa-Nehisi CoatesHamish…

Fiction

Fragments, explorations and variations—Jennifer Malec reviews Zadie Smith’s debut collection of short stories, Grand Union, her most American book to date

Zadie Smith, the accomplished, experimental New Yorker—The JRB Editor Jennifer Malec reviews Grand Union. Grand UnionZadie SmithHamish Hamilton, 2019 Read an…

Africa

‘I can’t attach the word “iconic” to baobab trees and sunsets’—Sarah Ladipo Manyika chats to Jennifer Malec about African publishing, Toni Morrison and writing older women

Nigerian–British author Sarah Ladipo Manyika was in South Africa recently, and took some time out from the Open Book Festival…

Africa

‘Not your traditional immigrant novel’—Efemia Chela reviews Beyond Babylon, the newly translated English debut by Somali–Italian author Igiaba Scego

In Beyond Babylon, by Igiaba Scego, migrants come to rebuild their lives in the midst of ruins, writes Francophone and…

AfricaSouth Africa

‘I was trying to catch an echo of a memory I never experienced’—Mphuthumi Ntabeni chats to Zoë August about his novel, The Broken River Tent

Zoë August discusses The Broken River Tent, the rise of the African historical novel, and African literature’s trajectory in general,…

Academic

[Conversation Issue] ‘Intersectionality seems so blindingly obvious a notion’—Zoë Wicomb in conversation with Andrew van der Vlies, from their new book Race, Nation, Translation

As part of our January Conversation Issue, we present an excerpted interview from a new collection of Zoë Wicomb’s writing, Race,…