‘I believe poetry is how my ancestors found me’—vangile gantsho in conversation with Makhosazana Xaba
This is the fourth in a series of long-form interviews by Patron Makhosazana Xaba to be hosted on The JRB,…
Tag: Toni Morrison
A fascinating, if flawed, enquiry—Zikhona Valela reviews Jonny Steinberg’s Winnie and Nelson: Portrait of a Marriage
Zikhona Valela reviews Winnie and Nelson: Portrait of a Marriage by Jonny Steinberg. Winnie and Nelson: Portrait of a Marriage…
[The JRB exclusive] ‘The first wound for all of us who are classified as “black” is empire’—Read an excerpt from Tsitsi Dangarembga’s new book Black and Female
The JRB presents an excerpt from Black and Female by Tsitsi Dangarembga. Black and FemaleTsitsi DangarembgaFaber & Faber, 2022 Read…
‘Recitatif is cunning in its ability to expose us’—Masiyaleti Mbewe reflects on Toni Morrison’s only short story
To respect this text is to revisit it: Masiyaleti Mbewe reviews the new standalone edition of Toni Morrison’s Recitatif. RecitatifToni…
Understanding Pan-Africanist struggles for global slavery and colonialism reparations, by Adekeye Adebajo
The JRB presents an edited excerpt from the Introduction to The Pan-African Pantheon: Prophets, Poets and Philosophers by Adekeye Adebajo….
‘You gave me permission to lean into the terrible, of both myself and the people I wrote into existence’—Read an excerpt from Akwaeke Emezi’s new book Dear Senthuran: A Black Spirit Memoir
The JRB presents an excerpt from Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi. Dear Senthuran: A Black Spirit…
‘Putting myself in those blood-soaked shoes was the most difficult thing to contend with’—Robert Jones Jr talks to Efemia Chela about his debut novel The Prophets
Contributing Editor Efemia Chela spoke to Robert Jones Jr about his debut novel, The Prophets. The ProphetsRobert Jones JrQuercus Publishing, 2021 Efemia…
‘They say charity begins at home. But so does depression’—Mercy Dhliwayo talks to Jennifer Malec about her debut collection of short stories, Bringing Us Back
Mercy Dhliwayo chatted to The JRB Editor Jennifer Malec about family relationships, border jumping, and her debut collection of short…
‘Black women’s imaginative works are wreaths lain on the graves of ancestors so that they may not weep.’—Read an excerpt from Panashe Chigumadzi’s essay ‘Hearing the Silence’
The JRB presents an excerpt from a new essay by The JRB Contributing Editor Panashe Chigumadzi, from Surfacing: On Being…
To move about in an unkind world under the mark of racial blackness—Wamuwi Mbao reviews Scatterlings, the debut novel by Rešoketšwe Manenzhe
Wamuwi Mbao reviews Rešoketšwe Manenzhe’s novel Scatterlings, winner of the 2020 Dinaane Debut Fiction Award. ScatterlingsRešoketšwe ManenzheJacana Media, 2020 There…
A triumph of a novel—Itumeleng Molefi reviews Jennifer Nansubuga Makumbi’s The First Woman
The First Woman can be read as Jennifer Nansubuga Makumbi’s answer to people who like to defend patriarchal power by…
To overthrow Europatriarchy, logic and emotion must work in tandem—Shayera Dark reviews Sensuous Knowledge: A Black Feminist Approach for Everyone by Minna Salami
Europatriarchy takes centre stage in Minna Salami’s elegant book of essays Sensuous Knowledge: A Black Feminist Approach for Everyone, writes…
‘Race matters. It matters because of the meanings we give to it.’ Read an excerpt from Race Otherwise: Forging a New Humanism for South Africa by Zimitri Erasmus
This excerpt is based on a chapter from a Zimitri Erasmus’s book Race Otherwise: Forging a New Humanism for South…
‘I am quite normal. I just wonder what JM Coetzee would taste like, slow-roasted, with tarragon.’—Read ‘The man who would be eaten’ by Rustum Kozain
The following piece was written in 2006, since when it has been languishing on the author’s blog. It was revived…
[Conversation Issue] ‘I know what lurks in the bushes. And that’s how I write the stories’—Jason Reynolds talks to Tony Eprile about resistance and the imagination
As part of our January Conversation Issue, author and Editorial Advisory Panel member Tony Eprile is in conversation with Jason…
[The JRB Daily] Top 10 of 2019—A look back at our most popular articles of the year
This December marked the The JRB’s thirty-second issue, the final issue of our third volume. With the new year—but not…
A depth charge aimed at the submerged wreckage of slavery—Wamuwi Mbao reviews The Water Dancer, the debut novel by acclaimed writer Ta-Nehisi Coates
Between Baldwin, the world and the Old South—Wamuwi Mbao reviews The Water Dancer by Ta-Nehisi Coates. The Water DancerTa-Nehisi CoatesHamish…
Fragments, explorations and variations—Jennifer Malec reviews Zadie Smith’s debut collection of short stories, Grand Union, her most American book to date
Zadie Smith, the accomplished, experimental New Yorker—The JRB Editor Jennifer Malec reviews Grand Union. Grand UnionZadie SmithHamish Hamilton, 2019 Read an…
‘I can’t attach the word “iconic” to baobab trees and sunsets’—Sarah Ladipo Manyika chats to Jennifer Malec about African publishing, Toni Morrison and writing older women
Nigerian–British author Sarah Ladipo Manyika was in South Africa recently, and took some time out from the Open Book Festival…
Refusing the tyranny of American beauty—Wamuwi Mbao reviews Colson Whitehead’s shocking and unsettling new novel The Nickel Boys
The Nickel Boys is a powerfully controlled novel in which the main character learns that there are no rules by…
[Tribute] Toni Morrison, you have been sentenced to life, by Mapule Mohulatsi
Mapule Mohulatsi pays tribute to Toni Morrison, and weighs up the significance of her impact on and conversations with African…
‘Not your traditional immigrant novel’—Efemia Chela reviews Beyond Babylon, the newly translated English debut by Somali–Italian author Igiaba Scego
In Beyond Babylon, by Igiaba Scego, migrants come to rebuild their lives in the midst of ruins, writes Francophone and…
Toni Morrison, 1931—2019, RIP
Toni Morrison, celebrated novelist and Nobel Laureate, has died, aged eighty-eight. Morrison passed away at the Montefiore Medical Center in…
‘I was trying to catch an echo of a memory I never experienced’—Mphuthumi Ntabeni chats to Zoë August about his novel, The Broken River Tent
Zoë August discusses The Broken River Tent, the rise of the African historical novel, and African literature’s trajectory in general,…
[Conversation Issue] ‘Intersectionality seems so blindingly obvious a notion’—Zoë Wicomb in conversation with Andrew van der Vlies, from their new book Race, Nation, Translation
As part of our January Conversation Issue, we present an excerpted interview from a new collection of Zoë Wicomb’s writing, Race,…
Novuyo Rosa Tshuma and Panashe Chigumadzi in conversation—Meditations on the traumas and triumphs of Zimbabwe’s histories
‘History is created in the mouth …’ Novuyo Rosa Tshuma and The JRB Contributing Editor Panashe Chigumadzi both have new…
Nelson Mandela’s ‘new’ collection of prison dispatches signs his name across our hearts: Bongani Madondo reviews The Prison Letters of Nelson Mandela
Torn for so long between anxiety and awe at the idolisation of Nelson Mandela, The JRB Contributing Editor Bongani Madondo…
‘Historical fiction is a way of fighting rootlessness’—Ayesha Harruna Attah discusses her new novel The Hundred Wells of Salaga
Ayesha Harruna Attah’s new novel, The Hundred Wells of Salaga, has just been published by Cassava Republic Press. She chatted…
Banishing the white gaze—Ntombizikhona Valela reflects on Winnie Madikizela-Mandela’s literary legacy
Ntombizikhona Valela considers two very different books, Winnie Madikizela-Mandela’s 491 Days: Prisoner Number 1323/69 and Anne Marie du Preez Bezdrob’s…
A novel that takes up Baldwin’s declaration that the story of America ‘is not a pretty one’: Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
Exquisite, but a reminder that there will never be another Baldwin: TO Molefe appraises I Am Not Your Negro, a year after its release
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…
[Conversation Issue] ‘We bury our stories and wonder why we are in so much pain’—Mohale Mashigo talks to Jennifer Malec about The Yearning
As part of our January Conversation Issue, Mohale Mashigo chats to The JRB Editor Jennifer Malec. The Yearning Mohale Mashigo…
‘I don’t believe in showing off’: Nthikeng Mohlele chats about his award-winning novel Pleasure and future artistic pursuits
Nthikeng Mohlele’s Pleasure was recently longlisted for the International Dublin Literary Award—this after winning two major South Africa literary prizes in 2017. The…
[The JRB Daily] Kazuo Ishiguro wins the Nobel Prize in Literature
English author Kazuo Ishiguro has won the Nobel Prize in Literature. The announcement was made by the Swedish Academy this…
Brilliant, hilarious, eerily contemporary: Mbali Sikakana reflects on Fran Ross’s forgotten black feminist novel Oreo
Fran Ross’s wildly funny race satire, Oreo, was originally published in 1974, and instantly forgotten. Mbali Sikakana surveys the novel’s…