‘My way of writing and reading and seeing the world is not the only way’—Tariro Ndoro in conversation with Makhosazana Xaba
This is the seventh in a series of long-form interviews by Patron Makhosazana Xaba to be hosted on The JRB,…
Tag: James Baldwin
‘A superb macaron of darkly satirical fiction’—Wamuwi Mbao reviews Helen DeWitt’s new novella The English Understand Wool
Wamuwi Mbao reviews The English Understand Wool by Helen DeWitt, a book that contains ‘one of the most alarmingly enjoyable…
‘Riotous Deathscapes charts a course of black life in vast deathscapes. It is a portrait of life among the dead’—an excerpt from Hugo ka Canham’s new book
The JRB presents an excerpt from Hugo ka Canham’s forthcoming book Riotous Deathscapes, to be published mid-May. Riotous DeathscapesHugo ka…
‘I wanted to place myself in conversation with the living and the dead’—Maneo Refiloe Mohale in conversation with Makhosazana Xaba
I remember being eight and geeking out about iambic pentameter … —Maneo Refiloe Mohale This is the first in a…
Kei Miller ‘alchemises the personal experience of Blackness into something deeply transportive’—Wamuwi Mbao reviews the award-winning Things I Have Withheld
Kei Miller’s collection of essays Things I Have Withheld takes the measure of what it means to read and be…
Read an excerpt from ‘Dinner with Dambudzo’ by Nthikeng Mohlele, from his new short story collection The Discovery of Love
The JRB presents an excerpt from The Discovery of Love, the new collection of short stories from Nthikeng Mohlele. The…
‘A compellingly affecting hero figure for the remaking of the human’—Wamuwi Mbao reviews Sorrowland, the new novel by Rivers Solomon
Rivers Solomon’s Sorrowland rearranges the furniture of the hardening genre of novels resolved to deal with North America’s history of…
‘To photograph Switzerland is to rephotograph it’—Sindi-Leigh McBride reviews Fernweh, Teju Cole’s latest photobook
Fernweh, Teju Cole’s latest photobook, feels like a palliative moment amid the uncertainty, loss and raw grief of the pandemic,…
‘Grief—a word that seemed too small to encompass the world I had been plunged into’—Read Sisonke Msimang’s essay from Our Ghosts Were Once People: Stories on Death and Dying
In a new anthology on death and dying, Sisonke Msimang writes about the multiple losses faced when her mother passed…
‘Putting myself in those blood-soaked shoes was the most difficult thing to contend with’—Robert Jones Jr talks to Efemia Chela about his debut novel The Prophets
Contributing Editor Efemia Chela spoke to Robert Jones Jr about his debut novel, The Prophets. The ProphetsRobert Jones JrQuercus Publishing, 2021 Efemia…
‘What does it do to you to be the subject of someone else’s imaginative impoverishment?’—Wamuwi Mbao reviews Claudia Rankine’s new book Just Us
Claudia Rankine’s Just Us is perhaps the most profound meditation on race and violence to emerge in the first two…
‘They say charity begins at home. But so does depression’—Mercy Dhliwayo talks to Jennifer Malec about her debut collection of short stories, Bringing Us Back
Mercy Dhliwayo chatted to The JRB Editor Jennifer Malec about family relationships, border jumping, and her debut collection of short…
The Winter of Our Discontent—Angelo Fick reflects on 150 days of lockdown
A commentary on the present crisis and the need for literate understandings of it by Angelo Fick. 1. These are…
‘Black people are not asking to be loved beyond reason’—Hemley Boum reflects on the Black Lives Matter protests during the coronavirus lockdown
It happens that words become too inconsistent to communicate shock. Not that we can’t guess at the terrifying explosion, whose…
‘I could easily be the next George Floyd. If I make just one unconscious mistake …’ Read ‘A letter from Texas’, by Nkiacha Atemnkeng
Nkiacha Atemnkeng1619 Ranch Road no. 16 San MarcosTX 78666USA Akale StreetFiango, KumbaSouth West RegionCameroon Dear Papa, Greetings from a sci-fi…
Of fear and motherly love—Rofhiwa Maneta reviews Imani Perry’s memoir Breathe: A Letter to My Sons
Imani Perry’s Breathe is a memoir committed to the radical hope that sees Black boys as more than problems to…
‘Thinking while black’—Read Grace A Musila’s essay from the award-winning book Black Academic Voices: The South African Experience
‘How do we craft a healthy, dignified blackness, in a world where blackness is a captured identity location that needs…
‘If I had power over the lexical landscape, I would get rid of the word immigrant’—Nana Oforiatta Ayim talks to Wamuwi Mbao about her debut novel The God Child
Nana Oforiatta Ayim is a Ghanaian writer, filmmaker and art historian. On a balmy traffic-clagged Cape Town morning, I meet…
‘I can’t attach the word “iconic” to baobab trees and sunsets’—Sarah Ladipo Manyika chats to Jennifer Malec about African publishing, Toni Morrison and writing older women
Nigerian–British author Sarah Ladipo Manyika was in South Africa recently, and took some time out from the Open Book Festival…
Refusing the tyranny of American beauty—Wamuwi Mbao reviews Colson Whitehead’s shocking and unsettling new novel The Nickel Boys
The Nickel Boys is a powerfully controlled novel in which the main character learns that there are no rules by…
‘Baldwin the symbol of black transgression and global black anger is simply peerless’—Bongani Madondo on If Beale Street Could Talk, the book and Oscar-winning film
James Baldwin’s novel of half a century ago, If Beale Street Could Talk, now reissued by Penguin Random House, was…
A novel that takes up Baldwin’s declaration that the story of America ‘is not a pretty one’: Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing
Wamuwi Mbao reviews Jesmyn Ward’s Sing, Unburied, Sing, winner of the 2017 National Book Award for fiction. Sing, Unburied, Sing Jesmyn…
‘Spending time with Bra Willie is the closest thing to being in touch with the soul of this country’: Read Mandla Langa’s Introduction to Keorapetse Kgositsile’s Homesoil in My Blood
Homesoil in My Blood: A Trilogy Keorapetse Kgositsile Xarra Books, 2018 Exclusive to The JRB, we present author Mandla Langa’s…
Exquisite, but a reminder that there will never be another Baldwin: TO Molefe appraises I Am Not Your Negro, a year after its release
TO Molefe believes Raoul Peck should have claimed I Am Not Your Negro as a new, original work, not as James…
Ta-Nehisi Coates is not the voice of black people: Kibo Ngowi considers the cult of intersectionality
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
Linger No More: Mandela speaks from the grave, and Bongani Madondo speaks to his medium, author Mandla Langa
Nelson Mandela altered the world. He affected everyone in it, in ways few will ever manage. He also died before…
[The JRB Daily] Exclusive preview: Bongani Madondo’s interview with Mandla Langa, co-author of Nelson Mandela’s Dare Not Linger
To mark the publication of Nelson Mandela’s Dare Not Linger: The Presidential Years, which goes on sale today, The JRB…
Brilliant, hilarious, eerily contemporary: Mbali Sikakana reflects on Fran Ross’s forgotten black feminist novel Oreo
Fran Ross’s wildly funny race satire, Oreo, was originally published in 1974, and instantly forgotten. Mbali Sikakana surveys the novel’s…
James Baldwin in Rhodesia: Percy Zvomuya picks out a thread from the forgotten war book Black Fire!
In the late nineteen-seventies, James Baldwin encountered an ‘extraordinary and illuminating’ Rhodesian book, which influenced his thought around black rage…
‘What is the acceptable amount of blood for good literature?’ Panashe Chigumadzi reviews Arundhati Roy’s The Ministry of Utmost Happiness
The Ministry of Utmost Happiness Arundhati Roy Hamish Hamilton/Penguin Random House, 2017 Algebra. For the last twenty years Arundhati Roy…