‘Many murky fixations bob to the surface’—Wamuwi Mbao reviews Dominique Botha’s The Crying Bride & Other Hallucinations
Wamuwi Mbao reviews The Crying Bride & Other Hallucinations by Dominique Botha, a keenly alive collection from the new Painted…
Wamuwi Mbao reviews The Crying Bride & Other Hallucinations by Dominique Botha, a keenly alive collection from the new Painted…
Fifi Bat-hef reviews Cape Fever by Nadia Davids, a slow-burning gothic tale of a young Cape Malay woman in service…
Barbara Boswell reviews Elleke Boehmer’s Ice Shock, a novel saturated with extremes of love and increasingly calamitous climate events. Ice…
Kevin Goddard reviews What is Owed? by Kelwyn Sole—a poet’s summing up of a life dedicated both to verse and…
Sean Jacobs reviews Slow Poison by Mahmood Mamdani, a rich and textured account of Ugandan and postcolonial African politics, and…
Through the characters in Chimamanda Ngozi Adichie’s Dream Count, we see our own blind spots and our audacity to hope,…
Enter Ghost by Isabella Hammad is a powerful portrait of community resilience, recovery and hope in the face of overwhelming…
Available Light continues Daniel Magaziner’s significant work in shedding light on the lives of Black artists and intellectuals under apartheid,…
Monica Popescu’s At Penpoint: African Literatures, Postcolonial Studies, and the Cold War is a steadfast engagement with the cultural Cold…
Wamuwi Mbao reviews Rešoketšwe Manenzhe’s novel Scatterlings, winner of the 2020 Dinaane Debut Fiction Award. ScatterlingsRešoketšwe ManenzheJacana Media, 2020 There…
In The Rise of the African Novel, Mukoma Wa Ngugi traces the way African literature has been a space to…
Whether we have learnt from the story of Dr Abdullah Abdurahman remains to be seen, writes Stephen Langtry. Martin Plaut’s…
Richard Poplak reviews The Night Trains by Charles van Onselen, a book grounded in the hard work of scouring the…
It gives me great pleasure to introduce The Johannesburg Review of Books, a new literary review from southern Africa. Our…