Portrait of the poet as a genius—Sindi-Leigh McBride reviews Koleka Putuma’s Hullo, Bu-bye, Koko, Come In
Sindi-Leigh McBride reviews Koleka Putuma’s Hullo, Bu-bye, Koko, Come In, a joy to behold even when the subject is devastating….
Tag: Bongani Madondo
[Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? A conversation between Lidudumalingani and Outlwile Tsipane
As part of our January Conversation Issue, guest City Editor Lidudumalingani chats to Outlwile Tsipane about the literatures of Johannesburg….
[The JRB Daily] Top 10 of 2019—A look back at our most popular articles of the year
This December marked the The JRB’s thirty-second issue, the final issue of our third volume. With the new year—but not…
Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful
Contributing Editor Bongani Madondo unmoors Kwame Brathwaite’s Black Is Beautiful from mono-dimensional notions of the Black Atlantic into a New African Globalism of…
This is how we lost him—Bongani Madondo and Rofhiwa Maneta remember K Sello Duiker
K Sello Duiker emerged on the African literary scene with a visceral two-punch combo, the novels Thirteen Cents (2000) and…
‘Baldwin the symbol of black transgression and global black anger is simply peerless’—Bongani Madondo on If Beale Street Could Talk, the book and Oscar-winning film
James Baldwin’s novel of half a century ago, If Beale Street Could Talk, now reissued by Penguin Random House, was…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
[The JRB Daily] 2018 Brittle Paper Award shortlists announced, recognising the ‘finest original pieces of writing by Africans published online’
The shortlists for the 2018 Brittle Paper Awards have been announced. The awards were established in 2017 to recognise the…
Nelson Mandela’s ‘new’ collection of prison dispatches signs his name across our hearts: Bongani Madondo reviews The Prison Letters of Nelson Mandela
Torn for so long between anxiety and awe at the idolisation of Nelson Mandela, The JRB Contributing Editor Bongani Madondo…
Writing our Blackness into existence—Ntombizikhona Valela reviews Born to Kwaito by Esinako Ndabeni and Sihle Mthembu
Born to Kwaito: Reflections on the Kwaito Generation cranks up the volume of the unsung and barely documented soundtrack of ‘freedom’,…
[The JRB Daily] Henrietta Rose-Innes shortlisted for 2018 Nommo Award for her short story ‘Snake Story’, featured in The JRB
The African Speculative Fiction Society has announced the nominations for the 2018 Nommo Awards, including two stories by The JRB…
‘I don’t believe in showing off’: Nthikeng Mohlele chats about his award-winning novel Pleasure and future artistic pursuits
Nthikeng Mohlele’s Pleasure was recently longlisted for the International Dublin Literary Award—this after winning two major South Africa literary prizes in 2017. The…
[Fiction issue] ‘Return of the Afringers’, an allegory by Bongani Madondo
The JRB presents ‘Return of the Afringers’, an allegory by Contributing Editor Bongani Madondo. ~~~ A country’s soul is captured…
Linger No More: Mandela speaks from the grave, and Bongani Madondo speaks to his medium, author Mandla Langa
Nelson Mandela altered the world. He affected everyone in it, in ways few will ever manage. He also died before…
[The JRB Daily] Exclusive preview: Bongani Madondo’s interview with Mandla Langa, co-author of Nelson Mandela’s Dare Not Linger
To mark the publication of Nelson Mandela’s Dare Not Linger: The Presidential Years, which goes on sale today, The JRB…
[The JRB Daily] JRB Contributing Editor Bongani Madondo up for Brittle Paper Literary Award
Main image: Bongani Madondo photographed by JRB Photo Editor Victor Dlamini To celebrate their seventh anniversary, Brittle Paper recently launched the…
Mak Manaka: One horny m’fcker – Bongani Madondo reviews Flowers of a Broken Smile
Take me to the memory of my grandmother’s hands I want to bathe in her voice and remember how…
The Johannesburg Review of Books Vol. 1, Issue 3 (July 2017)
The third issue of The Johannesburg Review of Books is here, with some big reviews, in-depth interviews and quality ruminations…
Writes of passage, an urban memoir: How a Pan-African journal and American glossies put Bongani Madondo on the Write Path
Sigh the Beloved Country: Braai Talk, Rock ‘n’ Roll & Other Stories Bongani Madondo Picador Africa, 2016 Load up on…
[The JRB Daily] UJ Prize shortlists announced: Fiction, poetry, short stories, essays and biography feature
The shortlists for the 2016 University of Johannesburg Prizes for South African Writing in English have been announced, with works…
The Johannesburg Review of Books Vol. 1, Issue 2 (June 2017)
The second issue of The Johannesburg Review of Books is here—replete with some of the finest writing on books and…
The Johannesburg Review of Books Vol. 1, Issue 1 (May 2017)
We are delighted to present the first issue of The Johannesburg Review of Books—comprising almost twenty reviews, essays, articles, stories,…
Portrait of the poet as a young genius: Bongani Madondo reviews Koleka Putuma’s Collective Amnesia
There is an ‘undecidable conflict’ between the poet’s desire to sing an alternative world and, as Grossman puts it, the…