International

Kei Miller ‘alchemises the personal experience of Blackness into something deeply transportive’—Wamuwi Mbao reviews the award-winning Things I Have Withheld

Kei Miller’s collection of essays Things I Have Withheld takes the measure of what it means to read and be…

Africa

[The JRB Daily] ‘Talent that will no doubt take the world by storm’—Ntsika Kota becomes first writer from Eswatini to win global Commonwealth Short Story Prize

Ntsika Kota has been announced as the overall winner of the 2022 Commonwealth Short Story Prize, making history as the…

Fiction

To move about in an unkind world under the mark of racial blackness—Wamuwi Mbao reviews Scatterlings, the debut novel by Rešoketšwe Manenzhe

Wamuwi Mbao reviews Rešoketšwe Manenzhe’s novel Scatterlings, winner of the 2020 Dinaane Debut Fiction Award. ScatterlingsRešoketšwe ManenzheJacana Media, 2020 There…

Fiction

[Conversation Issue] ‘I seek out women who make unpopular decisions in my writing because they’re more interesting to me’—Nicole Dennis-Benn chats to Wamuwi Mbao about her bestselling novel, Patsy

As part of our January Conversation Issue, Wamuwi Mbao chats to Nicole Dennis-Benn about her work, the process of writing…

Biography & Memoir

Illuminating a mighty poet and a total artist—Rustum Kozain reviews Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution

The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…

Africa

[The JRB Daily] ‘None But Ourselves’—Percy Zvomuya charts the sonic cartography of a revolution in the new Chimurenga Chronic: ‘The Invention of Zimbabwe’

Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…