‘To photograph Switzerland is to rephotograph it’—Sindi-Leigh McBride reviews Fernweh, Teju Cole’s latest photobook
Fernweh, Teju Cole’s latest photobook, feels like a palliative moment amid the uncertainty, loss and raw grief of the pandemic,…
Tag: Teju Cole
‘Exploring the recesses of loss with elegance’—Thulani Angoma-Mzini contemplates the 2021 Caine Prize shortlist
Meron Hadero was recently awarded the 2021 AKO Caine Prize for African Writing, becoming the first Ethiopian author to claim…
[City Editor] Arsène, Mos Def, Ben Okri and me—authors and the problems of mistaken identity, by Niq Mhlongo
On 25 June 2019, during the State of the Nation (SONA) debate, our Transport Minister Fikile Mbalula tried to impress…
[Conversation Issue] ‘There is nothing I loathe more than the idea that a piece of writing is “experimental”’—Emmanuel Iduma in conversation with Lidudumalingani
As part of our January Conversation Issue, Emmanuel Iduma, author of A Stranger’s Pose, in conversation with writer and photographer Lidudumalingani….
Disrupting the solipsism of the personal photograph: Wamuwi Mbao reviews Teju Cole’s new book, Blind Spot
How streaked we are by what we see: Teju Cole is at his engrossing best in his new book, Blind…
Ten years, thirty portraits: A Victor Dlamini retrospective
The JRB is honoured to present a selection of Victor Dlamini’s finest photographs, spanning 2007 to 2017. Publisher’s note: I…
[Photo Editor] Original portraits of Teju Cole and Paul Beatty by Victor Dlamini
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective of his…