[Conversation Issue] ‘Poetry refuses the abstraction of theory’—danai mupotsa in conversation with Makhosazana Xaba
This is the fifth in a series of long-form interviews by Patron Makhosazana Xaba to be hosted on The JRB,…
Tag: Feminism
[Conversation Issue] The world ends several times for Black people—A conversation with Uhuru Portia Phalafala and critical reading of her book Mine Mine Mine
Kim M Reynolds considers the historical and the personal in Uhuru Portia Phalafala’s new book Mine Mine Mine, in discussion…
A novel of many dark nights and unrelenting mishaps—Shayera Dark reviews Bisi Adjapon’s Daughter in Exile
Daughter in Exile by Bisi Adjapon is a pacy, character-driven novel that surveys the many burdens of living as an…
‘It’s very important to get our books published back at home’—Fungai Machirori interviews Lucy Mushita on her novel Chinongwa
Set in early twentieth-century Zimbabwe, Chinongwa follows the life of a young girl forced into child marriage with a much…
‘iCuriosity kubelungu iningi kabi’—Read an excerpt from Written Out: The Silencing of Regina Gelana Twala by Joel Cabrita
The JRB presents an excerpt from Joel Cabrita’s new book Written Out: The Silencing of Regina Gelana Twala. Written Out:…
‘Xolani. This is the name I use in my adulthood. I haven’t always used this name.’—Read ‘What’s in a Name?’, excerpted from Racism, Violence, Betrayals and New Imaginaries: Feminist Voices
The JRB presents an excerpt from ‘What’s in a name?’ Xolani S Ngazimbi’s essay from Racism, Violence, Betrayals and New…
Even for women brave enough to reclaim their lives, external forces stand ready to keep them confined—Shayera Dark reviews Ukamaka Olisakwe’s Ogadinma: Or, Everything Will Be All Right
Shayera Dark reviews Ogadinma: Or, Everything Will Be All Right by Ukamaka Olisakwe. Ogadinma: Or, Everything Will Be All RightUkamaka…
A flaming dispatch from Ananda Devi’s ‘evil twin’—Yagnishsing Dawoor reviews When the Night Agrees to Speak to Me
Ananda Devi’s When the Night Agrees to Speak to Me is an impassioned investigation of poetry writing as an apparatus…
Private prayer and public power—Athambile Masola reviews Mothers of the Nation: Manyano Women in South Africa by Lihle Ngcobozi
Lihle Ngcobozi’s Mothers of the Nation reveals the social complexity and political depth of the Manyano Women’s movement, writes Athambile…
‘Black women’s imaginative works are wreaths lain on the graves of ancestors so that they may not weep.’—Read an excerpt from Panashe Chigumadzi’s essay ‘Hearing the Silence’
The JRB presents an excerpt from a new essay by The JRB Contributing Editor Panashe Chigumadzi, from Surfacing: On Being…
‘White male mediocrity harms us all.’—Read an excerpt from Ijeoma Oluo’s new book, Mediocre: The Dangerous Legacy of White Male Power
The JRB presents an excerpt from Mediocre: The Dangerous Legacy of White Male Power by Ijeoma Oluo, the bestselling author…
A triumph of a novel—Itumeleng Molefi reviews Jennifer Nansubuga Makumbi’s The First Woman
The First Woman can be read as Jennifer Nansubuga Makumbi’s answer to people who like to defend patriarchal power by…
To overthrow Europatriarchy, logic and emotion must work in tandem—Shayera Dark reviews Sensuous Knowledge: A Black Feminist Approach for Everyone by Minna Salami
Europatriarchy takes centre stage in Minna Salami’s elegant book of essays Sensuous Knowledge: A Black Feminist Approach for Everyone, writes…
‘Bessie Head’s work jolted me awake … I had not thought it possible that a black woman could be a writer’—Read an excerpt from Barbara Boswell’s new book, And Wrote My Story Anyway
The JRB presents an excerpt from the Author’s Preface of And Wrote My Story Anyway: Black South African Women’s Novels…
[Sampler issue] ‘At the beginning, it wasn’t called feminism. It was called an attitude problem.’—Read Neliswa Tshazi’s essay from Living While Feminist
The JRB presents an excerpt from Living While Feminist: Our Bodies, Our Truths, a new collection of essays edited by…
‘The majority of writers in Africa, of us, confine ourselves, rather than having great ambition’—An interview with Nuruddin Farah, by Lebohang Mojapelo
Internationally renowned Somali novelist Nuruddin Farah is known for his politically conscious writing, which led him into exile as a…
[Conversation Issue] ‘I won’t be polite, because there’s nothing polite about patriarchy’—Mona Eltahawy inspires (and triggers) at the Abantu Book Festival, reports Itumeleng Molefi
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…
Tyranny of place, tyranny of time: Remembering Es’kia Mphahlele in his centenary year, by Mmatshilo Motsei
Mmatshilo Motsei pays tribute to Es’kia Mphahlele, one hundred years after his birth. I first encountered Es’kia Mphahlele when, in…
Jia Tolentino is a moral voice for the secular world—Khanya Mtshali reviews Trick Mirror: Reflections on Self-Delusion, a collection of essays that explores how we survive our late-capitalist hellscape
In Trick Mirror: Reflections on Self-Delusion, Jia Tolentino presents her cosmopolitan obsessions with piercing insight and authority, writes Khanya Mtshali. Trick…
Southern Africa throws its hat into the millennial fiction ring—Mphuthumi Ntabeni reviews The Eternal Audience of One, the debut novel by Rwandan–Namibian author Rémy Ngamije
With prose that sparkles and pops, Rémy Ngamije’s The Eternal Audience of One is a millennial novel that intricately traces…
Rough honesty, ample sex and ripe desire—Efemia Chela reads Leïla Slimani’s Adèle, Ariana Harwicz’s Die, My Love and Melissa Broder’s The Pisces
The JRB Contributing Editor Efemia Chela reads Adèle, Die, My Love and The Pisces, three stirring psychological novels, kindred portraits of contemporary womanhood….
[Conversation Issue] How to protect Africa—Mbali Sikakana decodes Chimamanda Ngozi Adichie’s visit to the Abantu Book Festival
As part of our January Conversation Issue, Mbali Sikakana contemplates the significance of Chimamanda Ngozi Adichie’s recent discussion with Pumla…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
‘Authors in the West don’t worry about whether Africa will understand them’—Jennifer Nansubuga Makumbi discusses Kintu at Wits
Ugandan author Jennifer Nansubuga Makumbi visited Wits University in August, for a discussion around her debut novel, Kintu. Kintu Jennifer…
The over-intellectualisation of desire—Efemia Chela reviews Anne Garréta’s newly translated memoir Not One Day
The JRB Francophone and Contributing Editor Efemia Chela reviews Not One Day, Anne Garréta’s memoir and the second of her books to be…
‘Being in South Africa as an author has shifted my perspective’—Zinzi Clemmons chats to The JRB about her debut novel, What We Lose
Zinzi Clemmons was in South Africa recently on a book tour for her debut novel, What We Lose. She sat…
[Conversation Issue] Kanga and Khwezi: Kwezilomso Mbandazayo challenges the memorialisation of Fezekile Ntsukela Kuzwayo
Kwezilomso Mbandazayo, known as the womxn who loaned her name to Khwezi, Jacob Zuma’s rape accuser, offers a personal reflection…
Fear and loathing in Bordeaux: Race and the French myth in Marie NDiaye’s My Heart Hemmed In
Efemia Chela reviews Marie NDiaye’s newly translated masterpiece My Heart Hemmed In, a mixture of literary fiction, psychological thriller and…
Brilliant, hilarious, eerily contemporary: Mbali Sikakana reflects on Fran Ross’s forgotten black feminist novel Oreo
Fran Ross’s wildly funny race satire, Oreo, was originally published in 1974, and instantly forgotten. Mbali Sikakana surveys the novel’s…