Even for women brave enough to reclaim their lives, external forces stand ready to keep them confined—Shayera Dark reviews Ukamaka Olisakwe’s Ogadinma: Or, Everything Will Be All Right

Shayera Dark reviews Ogadinma: Or, Everything Will Be All Right by Ukamaka Olisakwe. Ogadinma: Or, Everything Will Be All RightUkamaka…


‘Black women’s imaginative works are wreaths lain on the graves of ancestors so that they may not weep.’—Read an excerpt from Panashe Chigumadzi’s essay ‘Hearing the Silence’

The JRB presents an excerpt from a new essay by The JRB Contributing Editor Panashe Chigumadzi, from Surfacing: On Being…


To overthrow Europatriarchy, logic and emotion must work in tandem—Shayera Dark reviews Sensuous Knowledge: A Black Feminist Approach for Everyone by Minna Salami

Europatriarchy takes centre stage in Minna Salami’s elegant book of essays Sensuous Knowledge: A Black Feminist Approach for Everyone, writes…


‘Bessie Head’s work jolted me awake … I had not thought it possible that a black woman could be a writer’—Read an excerpt from Barbara Boswell’s new book, And Wrote My Story Anyway

The JRB presents an excerpt from the Author’s Preface of And Wrote My Story Anyway: Black South African Women’s Novels…


[Sampler issue] ‘At the beginning, it wasn’t called feminism. It was called an attitude problem.’—Read Neliswa Tshazi’s essay from Living While Feminist

The JRB presents an excerpt from Living While Feminist: Our Bodies, Our Truths, a new collection of essays edited by…


‘The majority of writers in Africa, of us, confine ourselves, rather than having great ambition’—An interview with Nuruddin Farah, by Lebohang Mojapelo

Internationally renowned Somali novelist Nuruddin Farah is known for his politically conscious writing, which led him into exile as a…


[Conversation Issue] ‘I won’t be polite, because there’s nothing polite about patriarchy’—Mona Eltahawy inspires (and triggers) at the Abantu Book Festival, reports Itumeleng Molefi

As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…

Biography & Memoir

Jia Tolentino is a moral voice for the secular world—Khanya Mtshali reviews Trick Mirror: Reflections on Self-Delusion, a collection of essays that explores how we survive our late-capitalist hellscape

In Trick Mirror: Reflections on Self-Delusion, Jia Tolentino presents her cosmopolitan obsessions with piercing insight and authority, writes Khanya Mtshali. Trick…


Southern Africa throws its hat into the millennial fiction ring—Mphuthumi Ntabeni reviews The Eternal Audience of One, the debut novel by Rwandan–Namibian author Rémy Ngamije

With prose that sparkles and pops, Rémy Ngamije’s The Eternal Audience of One is a millennial novel that intricately traces…


Rough honesty, ample sex and ripe desire—Efemia Chela reads Leïla Slimani’s Adèle, Ariana Harwicz’s Die, My Love and Melissa Broder’s The Pisces

The JRB Contributing Editor Efemia Chela reads Adèle, Die, My Love and The Pisces, three stirring psychological novels, kindred portraits of contemporary womanhood….