‘An excellent example of the reviewer’s least favourite thing’—Wamuwi Mbao reviews Yellowface by Rebecca F Kuang
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
The JRB presents an exclusive excerpt from Thula Simpson’s new book History of South Africa. History of South Africa: From…
The Kenyan novel is not dead, writes Carey Baraka, as long as Yvonne Adhiambo Owuor keeps writing. 1. On June…
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…
In Trick Mirror: Reflections on Self-Delusion, Jia Tolentino presents her cosmopolitan obsessions with piercing insight and authority, writes Khanya Mtshali. Trick…
In Machines Like Me, Ian McEwan appears to have offered us an alternative history that leads to the same dispiriting…
Wamuwi Mbao chats to Namwali Serpell about her debut novel, The Old Drift. Namwali Serpell The Old Drift Penguin Random…
The JRB presents an alternative Twitter timeline by Farai Mudzingwa, who imagines what he would have, or could have, posted…
Lisa Halliday’s debut Asymmetry is a genuinely surprising novel, which invites us to question how men and women are rendered in…
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
The JRB presents new short fiction by Contributing Editor Henrietta Rose-Innes. Author’s note: I began to write this Twitter story…