‘I believe poetry is how my ancestors found me’—vangile gantsho in conversation with Makhosazana Xaba
This is the fourth in a series of long-form interviews by Patron Makhosazana Xaba to be hosted on The JRB,…
Tag: Pumla Dineo Gqola
‘What happens when you have a crime committed against a person that never ever comes to an end?’—Margie Orford talks to Jennifer Malec about her new novel The Eye of the Beholder
The JRB Editor Jennifer Malec sat down with Margie Orford to talk about the challenges of writing about sexual violence, the politics…
‘Someone tried to break into my house while I was writing this book’—Christopher McMichael talks to mpho ndaba about his new book Shoot to Kill: Police and Power in South Africa
Christopher McMichael sat down with mpho ndaba to discuss violent policing, its historical origins, and his new book Shoot to…
[The JRB Daily] 2022 Humanities and Social Sciences Awards winners announced—‘casting a celebratory light on those whose work often goes unnoticed’
Image: The 2022 HSS Awards winners. Back, from left: Aryan Kaganof, Natalia Molebatsi, Napjadi Letsoalo, Thulasizwe Simpson, Nthikeng Mohlele, Mandla…
‘The violators were in breach of the unwritten codes that make for proper new South Africanness’—Read ‘Foreign Familiars’, from Pumla Dineo Gqola’s new book Female Fear Factory
The JRB presents an excerpt from Female Fear Factory, the highly anticipated new book from Pumla Dineo Gqola. Female Fear…
‘Miriam Tlali understood the complicated meanings of being “the first” for a black woman’—Read an excerpt from Pumla Dineo Gqola’s new book Miriam Tlali: Writing Freedom
The JRB presents an excerpt from Miriam Tlali: Writing Freedom, the latest book by Pumla Dineo Gqola, which brings together…
‘Black women’s imaginative works are wreaths lain on the graves of ancestors so that they may not weep.’—Read an excerpt from Panashe Chigumadzi’s essay ‘Hearing the Silence’
The JRB presents an excerpt from a new essay by The JRB Contributing Editor Panashe Chigumadzi, from Surfacing: On Being…
[Photo Editor] A portrait of Pumla Dineo Gqola by Victor Dlamini
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. See this ten-year retrospective of his work. View this…
[Conversation Issue] ‘I won’t be polite, because there’s nothing polite about patriarchy’—Mona Eltahawy inspires (and triggers) at the Abantu Book Festival, reports Itumeleng Molefi
As part of our January Conversation Issue, Itumeleng Molefi reflects on Mona Eltahawy’s keynote address and conversation with Pumla Dineo…
[Conversation Issue] How to protect Africa—Mbali Sikakana decodes Chimamanda Ngozi Adichie’s visit to the Abantu Book Festival
As part of our January Conversation Issue, Mbali Sikakana contemplates the significance of Chimamanda Ngozi Adichie’s recent discussion with Pumla…
We told her she was Nina Simone—Bongani Madondo reviews She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
As Bongani Madondo experienced tinges of nostalgia occasioned by the twentieth anniversary of The Miseducation of Lauryn Hill, HipHop Feminist…
Novuyo Rosa Tshuma and Panashe Chigumadzi in conversation—Meditations on the traumas and triumphs of Zimbabwe’s histories
‘History is created in the mouth …’ Novuyo Rosa Tshuma and The JRB Contributing Editor Panashe Chigumadzi both have new…
‘I started writing the book in a fit of anger with Fees Must Fall activists’—Rehana Rossouw chats to Jennifer Malec about New Times
Rehana Rossouw’s critically acclaimed debut novel, What Will People Say?, was shortlisted for the 2015 Etisalat Prize for Literature, and won…
[The JRB Daily] 2017 Abantu Book Festival focuses on legacy: Libraries, free books for children, and plans to rotate around South African cities
The second annual Abantu Book Festival kicked off in Soweto today, and festival director Thando Mgqolozana emphasised the event’s focus…
[Sponsored] Reflecting Rogue – the hotly anticipated new book from Pumla Dineo Gqola
Reflecting Rogue is the much anticipated and brilliant collection of experimental autobiographical essays on power, pleasure and South African culture by…