‘An open-hearted refusal of the atomised world’—Wamuwi Mbao reviews Hedley Twidle’s new collection of essays, Show Me the Place
In Show Me the Place, Hedley Twidle displays an earnest curiosity about how to inhabit a world that seems to…
In Show Me the Place, Hedley Twidle displays an earnest curiosity about how to inhabit a world that seems to…
This month marks the fiftieth anniversary of the Chimukwembe demonstration, aka the ‘Pots and Pans Protest’, a student uprising in…
George Hull reviews Against Decolonisation: Taking African Agency Seriously by Olúfẹ́mi Táíwò. Against Decolonisation: Taking African Agency SeriouslyOlúfẹ́mi TáíwòHurst &…
The JRB presents an excerpt from Black and Female by Tsitsi Dangarembga. Black and FemaleTsitsi DangarembgaFaber & Faber, 2022 Read…
For Francis on the occasion of his sixtieth birthday. I met Francis B Nyamnjoh, now a world-renowned professor of social…
For reasons technical, historical and—above all—thematic, Dickens is writ large in African literature, writes Adekeye Adebajo. As we approach the…
The JRB presents an excerpt from Adekeye Adebajo’s forthcoming novella, The Trial of Cecil John Rhodes. The Trial of Cecil…
Lidudumalingani reviews Everything is a Deathly Flower by Maneo Mohale, finding it to be a succession of powerful moments. Everything…
Adekeye Adebajo addresses the once-unthinkable question ‘Was Gandhi a racist?’, as the 150th anniversary of his birth is celebrated. 1….
Chigumadzi’s exploration of personal, family and national history reincarnates in stark, vivid images, many of those interred in the shadows…
Image: Bob Marley performing at the Zimbabwe Independence celebration, Rufaro Stadium, Harare, 18 April 1980 The new issue of Chimurenga’s…