‘Pajubá as Queer Articulation of the Black Atlantic’ by Caio Simões de Araújo—an excerpt from Changing Theory: Concepts from the Global South

The JRB presents an excerpt from Caio Simões de Araújo’s chapter ‘Pajubá’, from the new essay collection Changing Theory: Concepts…


To overthrow Europatriarchy, logic and emotion must work in tandem—Shayera Dark reviews Sensuous Knowledge: A Black Feminist Approach for Everyone by Minna Salami

Europatriarchy takes centre stage in Minna Salami’s elegant book of essays Sensuous Knowledge: A Black Feminist Approach for Everyone, writes…


‘The majority of writers in Africa, of us, confine ourselves, rather than having great ambition’—An interview with Nuruddin Farah, by Lebohang Mojapelo

Internationally renowned Somali novelist Nuruddin Farah is known for his politically conscious writing, which led him into exile as a…


[Conversation Issue] ‘There is nothing I loathe more than the idea that a piece of writing is “experimental”’—Emmanuel Iduma in conversation with Lidudumalingani

As part of our January Conversation Issue, Emmanuel Iduma, author of A Stranger’s Pose, in conversation with writer and photographer Lidudumalingani….


How to eat a small child–Yemisi Aribisala considers the question of representation in books for children of colour and the legacy of Little Black Sambo

Yemisi Aribisala recalls her first encounter with Little Black Sambo, and asks: Who is responsible if the image of the…


‘As I wrote and rewrote, I made new discoveries’—An exclusive interview with Short Story Day Africa Prize winner Tochukwu Emmanuel Okafor

Tochukwu Emmanuel Okafor chatted to The JRB Editor Jennifer Malec about winning the Short Story Day Africa Prize, and his writing life.  *…