Fiction

‘We, human beings, know how our stories end—with our heads blossoming into daisies’—Jarred Thompson chats to Anna Stroud about his novel The Institute for Creative Dying

Anna Stroud chats to Jarred Thompson about The Institute for Creative Dying, his debut novel that imagines a radical alternative…

Africa

[The JRB Daily] 2021 Commonwealth Short Story Prize regional winners announced—including Rwandan-born Namibian author Rémy Ngamije

Header image: Rémy Ngamije (Namibia), Roland Watson-Grant (Jamaica), Kanya D’Almeida (Sri Lanka), Carol Farrelly (UK), Katerina Gibson (Australia) The regional…

Africa

[The JRB Daily] 2020 Caine Prize for African Writing shortlist announced—including Rémy Ngamije’s ‘The Neighbourhood Watch’, first published in The JRB

The shortlist for the 2020 AKO Caine Prize for African Writing has been announced, including ‘The Neighbourhood Watch’ by Rémy…

Africa

Southern Africa throws its hat into the millennial fiction ring—Mphuthumi Ntabeni reviews The Eternal Audience of One, the debut novel by Rwandan–Namibian author Rémy Ngamije

With prose that sparkles and pops, Rémy Ngamije’s The Eternal Audience of One is a millennial novel that intricately traces…

Africa

‘I can’t attach the word “iconic” to baobab trees and sunsets’—Sarah Ladipo Manyika chats to Jennifer Malec about African publishing, Toni Morrison and writing older women

Nigerian–British author Sarah Ladipo Manyika was in South Africa recently, and took some time out from the Open Book Festival…

Africa

[The JRB exclusive] ‘Windhoek has three temperatures: hot, mosquito, and fucking cold’—Read an excerpt from The Eternal Audience of One, the debut novel by Rémy Ngamije

The JRB presents an exclusive excerpt from The Eternal Audience of One, the forthcoming debut novel by Rwandan-born Namibian writer…