‘An excellent example of the reviewer’s least favourite thing’—Wamuwi Mbao reviews Yellowface by Rebecca F Kuang
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
Tag: China
[The JRB Daily] ‘Holy ****! Is this real?’ Winners of R3m Windham–Campbell Prizes for fiction, non-fiction, poetry and drama announced
The eight winners of the 2023 Windham–Campbell Prizes have been announced. Now in its eleventh year, the Windham–Campbell Prize is one of…
[Fiction Issue] ‘A Boer doesn’t flutter around a cloud of lightning bolts and thundercracks like a moth around a rotten apple’—Read an excerpt from Lodewyk G du Plessis’s debut novel The Dao of Daniel
The JRB presents an excerpt from The Dao of Daniel by Lodewyk G du Plessis, translated from the Afrikaans by…
‘What did it mean to suffocate history so as to preserve the order of the rich?’—Read an excerpt from Washington Bullets, the new book by Vijay Prashad
The JRB presents an excerpt from Vijay Prashad‘s Washington Bullets. Washington BulletsVijay PrashadInkani Books, 2022 ‘BRING DOWN MORE US AIRCRAFT’…
‘I was constantly weaving fact and fiction, and blurring truth with fable’—CA Davids chats to Efemia Chela about her new novel How to Be a Revolutionary
Contributing Editor Efemia Chela speaks to CA Davids about her new novel, How to Be a Revolutionary. How to Be a RevolutionaryCA…
[The JRB Daily] ‘You have changed my life!’ Three African writers among the winners of the 2022 Windham–Campbell Prizes
Header image: Siphiwe Gloria Ndlovu, Tsitsi Dangarembga and Emmanuel Iduma. The winners of the 2022 Windham–Campbell Prizes have been announced, including three…
[Fiction Issue] ‘Sometimes it felt as if I were speaking into a body of water’—Read an excerpt from CA Davids’s new novel How to Be a Revolutionary
The JRB presents an excerpt from How to Be a Revolutionary, the new novel by CA Davids. How to Be…
[The JRB Daily] 2020 Windham–Campbell Prizes winners announced, including Zambian writer Namwali Serpell
Header image: Top row, left to right: Anne Boyer (non-fiction), Julia Cho (drama), Aleshea Harris (drama), and Bhanu Kapil (poetry);…
Yvonne Adhiambo Owuor’s weight of whispers—Carey Baraka considers Dust, The Dragonfly Sea and a novelist’s mission to retell the ‘vile things’ of history
The Kenyan novel is not dead, writes Carey Baraka, as long as Yvonne Adhiambo Owuor keeps writing. 1. On June…
‘We are African writers, we write as Africans and we share our books as Africans’—The tiny island of Mayotte has big plans for books, reports James Murua
The JRB Editorial Advisory Panel member James Murua reports back from his trip to the Salon du Livre de Mayotte, which took place…
‘It’s an excavation of the darkest place in our species’—Siphiwe Gloria Ndlovu interviews TC Farren about her new novel, The Book of Malachi
Siphiwe Gloria Ndlovu, author of The Theory of Flight, interviewed novelist and screenwriter TC Farren on her latest work of…
Bullets and carnage, infidelity and revenge in occupied Kashmir—Azad Essa reviews Feroz Rather’s The Night of Broken Glass
In his debut work of fiction, The Night of Broken Glass, Feroz Rather masterfully captures the peculiar, punctured lives of…
[Conversation Issue] [City Editor] Niq Mhlongo reveals how he missed his own debut book launch, leading to an astounding moment at the Abantu Book Festival twelve years later
As part of our January Conversation Issue, The JRB presents City Editor Niq Mhlongo’s keynote speech from the 2017 BRICS…
A guide for writing from the outside in: Sisonke Msimang on how Howard W French maps the road between the Africa of her childhood and the China of her imagination
In his three books on Africa–China relations, Howard W French’s thinking is robust—sometimes forcefully so—and yet fundamentally respectful. A…