Through the fog of pseudoephedrine, codeine and paracetamol—A playlist compiled by Tymon Smith
Through the fog of pseudoephedrine, codeine, paracetamol and all the other drugs familiar to sufferers of the dreaded, predictable and…
Tag: Slavery
[The JRB exclusive] ‘The first wound for all of us who are classified as “black” is empire’—Read an excerpt from Tsitsi Dangarembga’s new book Black and Female
The JRB presents an excerpt from Black and Female by Tsitsi Dangarembga. Black and FemaleTsitsi DangarembgaFaber & Faber, 2022 Read…
The lives of ordinary African women who did not submit to empire—Read an excerpt from Kwasi Konadu’s new book Many Black Women of this Fortress
The JRB presents an excerpt from Many Black Women of this Fortress: Graça, Mónica and Adwoa, Three Enslaved Women of…
Read an excerpt from Ben Okri’s new novel The Last Gift of the Master Artists
The JRB presents an excerpt from The Last Gift of the Master Artists, the new novel from Ben Okri. The…
‘I was constantly weaving fact and fiction, and blurring truth with fable’—CA Davids chats to Efemia Chela about her new novel How to Be a Revolutionary
Contributing Editor Efemia Chela speaks to CA Davids about her new novel, How to Be a Revolutionary. How to Be a RevolutionaryCA…
Understanding Pan-Africanist struggles for global slavery and colonialism reparations, by Adekeye Adebajo
The JRB presents an edited excerpt from the Introduction to The Pan-African Pantheon: Prophets, Poets and Philosophers by Adekeye Adebajo….
‘Putting myself in those blood-soaked shoes was the most difficult thing to contend with’—Robert Jones Jr talks to Efemia Chela about his debut novel The Prophets
Contributing Editor Efemia Chela spoke to Robert Jones Jr about his debut novel, The Prophets. The ProphetsRobert Jones JrQuercus Publishing, 2021 Efemia…
A Tale of Two Continents—Adekeye Adebajo unpacks Dickens in Africa
For reasons technical, historical and—above all—thematic, Dickens is writ large in African literature, writes Adekeye Adebajo. As we approach the…
To overthrow Europatriarchy, logic and emotion must work in tandem—Shayera Dark reviews Sensuous Knowledge: A Black Feminist Approach for Everyone by Minna Salami
Europatriarchy takes centre stage in Minna Salami’s elegant book of essays Sensuous Knowledge: A Black Feminist Approach for Everyone, writes…
Philosophy in Africa, or Africa in Philosophy? Mary Carman reviews Debating African Philosophy: Perspectives on Identity, Decolonial Ethics and Comparative Philosophy
Mary Carman reviews Debating African Philosophy, a new collection of essays that originated during student protests and demands for the…
‘I come from’, a new poem by Khadija Tracey Heeger
The Johannesburg Review of Books presents a new poem by Khadija Tracey Heeger. ~~~ I come from I come from…
A depth charge aimed at the submerged wreckage of slavery—Wamuwi Mbao reviews The Water Dancer, the debut novel by acclaimed writer Ta-Nehisi Coates
Between Baldwin, the world and the Old South—Wamuwi Mbao reviews The Water Dancer by Ta-Nehisi Coates. The Water DancerTa-Nehisi CoatesHamish…
[Temporary Sojourner] Liberia, the original African escapist fantasy—Efemia Chela reviews Wayétu Moore’s sweeping and poetic debut novel She Would Be King
Fantastic Returns and Where to Find Them—The JRB Francophone and Contributing Editor Efemia Chela travels to Liberia with Wayétu Moore’s…
‘I will always love Africa, because from the minute I arrived it treated me like a white girl.’—Author Adam Smyer reflects on his visit to the Open Book Festival
The following is an edited excerpt from a work in progress by American author Adam Smyer, whose debut novel, Knucklehead,…
Toni Morrison, 1931—2019, RIP
Toni Morrison, celebrated novelist and Nobel Laureate, has died, aged eighty-eight. Morrison passed away at the Montefiore Medical Center in…
An exhilarating elegy for the slaves and storytellers of old—Lara Buxbaum reviews Patrick Chamoiseau’s wildly inventive novel The Old Slave and the Mastiff
Tracing the memory of bones, ‘a long thread of words that attempted to fulfil the universe’—Lara Buxbaum reviews The Old…
Illuminating a mighty poet and a total artist—Rustum Kozain reviews Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
The JRB Poetry Editor Rustum Kozain reviews David Austin’s new book Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution, finding…
The rediscovery of the ordinary does not preclude the extraordinary—Jennifer Malec reviews Esi Edugyan’s novel Washington Black
The JRB Editor Jennifer Malec reviews Esi Edugyan’s Man Booker Prize-shortlisted novel, Washington Black. Washington Black Esi Edugyan Serpent’s Tail, 2018 Esi…
‘Historical fiction is a way of fighting rootlessness’—Ayesha Harruna Attah discusses her new novel The Hundred Wells of Salaga
Ayesha Harruna Attah’s new novel, The Hundred Wells of Salaga, has just been published by Cassava Republic Press. She chatted…
‘I started writing the book in a fit of anger with Fees Must Fall activists’—Rehana Rossouw chats to Jennifer Malec about New Times
Rehana Rossouw’s critically acclaimed debut novel, What Will People Say?, was shortlisted for the 2015 Etisalat Prize for Literature, and won…
‘It began with a burial site’: Nadia Davids on her new work, What Remains, a play about slavery and the haunted city
All that is buried is not dead. —Olive Schreiner, The Story of an African Farm Ant swarming City City full…