‘An excellent example of the reviewer’s least favourite thing’—Wamuwi Mbao reviews Yellowface by Rebecca F Kuang
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
In the context of increasing scrutiny on the literary production of white writers, Ben Williams offers up some ideas on…
The JRB Editor Jennifer Malec reviews Esi Edugyan’s Man Booker Prize-shortlisted novel, Washington Black. Washington Black Esi Edugyan Serpent’s Tail, 2018 Esi…
Zinzi Clemmons was in South Africa recently on a book tour for her debut novel, What We Lose. She sat…
Ta-Nehisi Coates is not the voice of black people—and, crucially, neither does he aspire to be, writes Kibo Ngowi. We…
Fran Ross’s wildly funny race satire, Oreo, was originally published in 1974, and instantly forgotten. Mbali Sikakana surveys the novel’s…
The JRB Academic Editor Simon van Schalkwyk spoke to Paul Beatty, whose novel The Sellout won the 2016 Man Booker…
The JRB is honoured to present a selection of Victor Dlamini’s finest photographs, spanning 2007 to 2017. Publisher’s note: I…
Victor Dlamini is The JRB’s Photo Editor. We feature his work on our Instagram channel. Don’t miss the ten-year retrospective of his…
The Sellout Paul Beatty One World 2015 The JRB recorded this reading by Paul Beatty during his recent visit to…