‘An excellent example of the reviewer’s least favourite thing’—Wamuwi Mbao reviews Yellowface by Rebecca F Kuang
In Yellowface, the contrast is turned up so brightly that the shadows disappear, writes Wamuwi Mbao, but it’s the darkness…
Tag: Netflix
‘A compellingly affecting hero figure for the remaking of the human’—Wamuwi Mbao reviews Sorrowland, the new novel by Rivers Solomon
Rivers Solomon’s Sorrowland rearranges the furniture of the hardening genre of novels resolved to deal with North America’s history of…
Contemplating South Africa’s coalition of traumas through the idea of lost language—Khanya Mtshali reviews Phumlani Pikoli’s Born Freeloaders
In Born Freeloaders, Phumlani Pikoli seeks to provide a meditation on how empire is constructed through language. But the language…
Where’s Mzansi noir?—Wamuwi Mbao laments the lack of dark and moody South African television adaptations
Wamuwi Mbao imagines a serial adaptation of Angela Makholwa’s Black Widow Society, a sleekly executed interpretation of HJ Golakai’s The Lazarus…
One of the most important works of non-fiction in South Africa’s democratic era—Richard Poplak reviews The Lost Boys of Bird Island
The story told in The Lost Boys of Bird Island warps South Africa’s history beyond the nightmares of colonialism and apartheid,…