‘An open-hearted refusal of the atomised world’—Wamuwi Mbao reviews Hedley Twidle’s new collection of essays, Show Me the Place
In Show Me the Place, Hedley Twidle displays an earnest curiosity about how to inhabit a world that seems to…
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In Show Me the Place, Hedley Twidle displays an earnest curiosity about how to inhabit a world that seems to…
The JRB presents an excerpt from Inkwenkwezi efihlakeleyo, the new isiXhosa translation of the late K Sello Duiker’s modern South…
Timothy Wright reviews Meg Samuelson’s new book, Claiming the City in South African Literature, which argues that only through writing…
As part of our January Conversation Issue, guest City Editor Lidudumalingani chats to Outlwile Tsipane about the literatures of Johannesburg….
This December marked the The JRB’s thirty-second issue, the final issue of our third volume. With the new year—but not…
Zanta Nkumane reviews Ocean Vuong’s devastatingly beautiful debut On Earth We’re Briefly Gorgeous, a novel about living in the margins,…
K Sello Duiker emerged on the African literary scene with a visceral two-punch combo, the novels Thirteen Cents (2000) and…
Despite a strong heritage stretching back more than a century, South African fiction remains largely unfamiliar—apart from a handful of…
Zinzi Clemmons was in South Africa recently on a book tour for her debut novel, What We Lose. She sat…
As part of our January Conversation Issue, Mbali Sikakana interviews award-winning author Songeziwe Mahlangu. Penumbra Songeziwe Mahlangu Kwela Books, 2013…
As part of our January Conversation Issue, The JRB presents City Editor Niq Mhlongo’s keynote speech from the 2017 BRICS…
The winners of the 2017 South African Literary Awards (SALAs) have been announced. The SALAs are awarded annually by the…
The third issue of The Johannesburg Review of Books is here, with some big reviews, in-depth interviews and quality ruminations…
Firepool: Experiences in an Abnormal World Hedley Twidle Kwela, 2017 The following is an excerpt from Firepool: Experiences in an…